Why David Chang Is ‘Steve Jobs with a Knife’

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Best is like nothing else. It's something you can express. It's a story. It can be delicious. And the absurd part of it is it's going to be in the toilet eight to ten hours later. Nope. Listen. For those that don't know anything about a Tibetan sand mandala, nobody would build a business where everything would disintegrate if it wasn't refrigerated. It's a terrible business idea, yet we do it all the time.

Hey there, it's Guy Kawasaki. This is the Remarkable People podcast. We have a special edition. Today in October 2025, I interviewed this guest at the Masters of Scale conference in San Francisco, California. And the folks. Wait, what? Who put on the conference paired me up with David Chang, of all people to interview. Now, if you're a foodie, you already know who David Chang is, but just in case you might not, David Chang is the creator of the Momofuku restaurant. He's this great, great character on this video. That's not a character, he's just being him. Called Ugly Delicious. He has written a really fun book called Eat a Peach, which is his memoir. At the end of that memoir, there's 33 tips for chefs that I recommend you read because it's really 33 tips for life. So, anyway, this is David Chang and.

I. Oh, my God.

We let it all hang out on stage. And I came up with a new name for David Chang. He is Steve Jobs with a knife, because he has that kind of fanatical perfectionist attitude that none other than Steve Jobs had. So now, before the interview with David Chang, I made a tribute to Jane Goodall. Jane Goodall was a friend of mine, and she had just passed away, and I just wanted to recognize her contribution. She is the most remarkable person that I have ever met. So that's what this is. This is a recording of an episode of a conference with me and David Chang, AKA Steve Jobs with a knife.

I'm so pleased to Bring out onto the stage my friend and the host of Remarkable People, Guy Kawasaki. Hello.

Hello, everybody. Thank you for staying to the last few sessions of the conference. I didn't know they put me in the second to the last slot. So about eight days ago, the world lost one of its most remarkable people. And I want to put her picture up there.

So.

The last time I saw Jane, it was a couple miles from here at the Salesforce Building, and It was her 90th birthday tour. And just so you know, Jane Goodall, she was 90 at that time, at that birthday, and she looked a little peaked or tired. So I went up to her at the birthday party. I said, jane, you should chillax a little bit, take it easy. Come to our house. We have an extra guest house. You can stay in our guest house. We won't ask you for autographs, we won't ask you for pictures. Just relax, Jane. You travel 300 days a year. She traveled 300 days a year. Now, when speakers travel, we get off the airplane, the limo picks you up, you go to the hotel, you relax, you wake up, you give a one hour speech, you get back in the limo, you get back to the hotel, you go home. But when Jane Goodall travels from morning to midnight, she's meeting with schools and kids and nonprofits and all these things, her travel is a hundred times more difficult than most speakers. And so I went up to her and I told her this, and this is what she told me. She said, guy, I cannot rest because there is too much to do. And that was Jane Goodall. So listen, the day after she died, I was on my property, and I have this UTV on this property, and I'm driving around in our yard, and I look down and there's a frog on my leg. And my interpretation was that was Jane saying hello to me. So listen, you know, I know when someone passes like that, it's customary to give them a moment, moment of silence, but I don't think that's appropriate for Jane. I think we should give her. Her a moment of applause for all she did. Yeah. Yes. Standing ovation of God.

Yeah.

All right.

I. I think I'm gonna begin every speech like a standing ovation at the start. So now I want to bring out another truly remarkable person, and his name is David Chang. So please join me. Welcome, David Chang.

Hi, guys. All right, we're doing this.

Yeah, Finally. So, David, first question for you is, have you been able to get some good figs while you're in San Francisco?

I'm not sure if everyone knows it's been some years, but I haven't had any figs in San Francisco. And guys alluding to about 15 or years ago, I got in a lot of trouble. I didn't blame the late great Tony Bourdain because he got me drunk talking much like this. And he said the topic was, I call bullshit. And I called bullshit about at the time, the Bay Area only cooking things like figs on a plate. He got poll quoted. It's the first time in my life, right. But I was basically saying that San Francisco, the Bay Area has been at the forefront of sexuality, politics, technology, art, music, and I love Alice Waters, I love Chez Panisse, but it can't be the only thing that the Bay Area celebrates. At the time, I could have used better words, but I was trying to express that. But till this day, sometimes I might just get a fig on the plate at a restaurant here.

David, I read your memoir and I have come to the conclusion, and I say this with the highest degree of respect because I believe you are in the sort of tradition of Steve Jobs. You are a mission driven asshole. Yeah, you truly are a mission driven asshole. And I was reading your memoir, I said, man, that sounds like Steve Jobs with a knife. And I think one of the things that separated Steve from everybody is a term that I learned from Brene Brown yesterday, which is, Steve was a plumber and a poet. And not many people can be a plumber and a poet. And I would say you are a plumber and a poet.

Well, most people would say I'm a poor plumber at best, but I've never heard that comparison. I don't want to put myself in anything like that. But an asshole for sure, I believe.

I think you should go to your LinkedIn profile and say Steve Jobs with a knife. So, you know, I'm alluding to when I read your book. Well, for one thing, I will never own a restaurant after reading your book. So talk about the plumbing of a restaurant and then the poetry of what you're trying to do.

Literally owning a restaurant, you better know the plumbing because more often than not you are going to be cleaning up shit that is not a joke. That happens quite often and it sort of punctures any sort of beautiful idea, this romantic idea of opening a restaurant that might be romanticized on TV or the movies. And yes, the Bear is very accurate, but not exactly perfect. But it's great, it's a great show. But when you're running a restaurant as a chef, sometimes you forget that you have to be a chef as well, because you have the bureaucracy, the politics, and Lord knows, managing people. That is not the easiest thing for anybody, let alone someone that started to cook so they didn't have to talk to people.

And what is the hardest part there? Or. Everything's hard.

Everything's hard. So everything that will go wrong can go wrong. It just. Every day is, like, the worst day possible. And I joke, opening a restaurant and running a restaurant is like the great Catherine Bigelow movie the Hurt Locker, except that you are not only diffusing the bomb, you are also creating the bombs as well. And that's sort of what it was like. Every day, you're diffusing problem after problem after problem, and you know it. At the end of the day, when you look at the business, it's such an absurd thing that it truly is a passion project for most people.

Okay, that's the plumbing part. What about the poetry part?

At the very best, cooking is not like any other discipline. It has to integrate food science. So you need to know microbiology, biochemistry. You need to understand proportions. You need to know history. You need to have a way to express yourself. And if you asked me when I was 22 cooking, I would have said, no, this is a craft. We're just plumbers. But more and more, and actually talking about chez panisse and figs on a plate, like, I've learned that actually was, like, so punk rock. That was an ultimate form of expression. And food at its very best is like nothing else. It's something you can express. It's a story. It can be delicious. And the absurd part of it is, it's gonna be in the toilet eight to ten hours later. Nope. Listen, for those that don't know anything about a Tibetan sand mandala, nobody would build a where everything would disintegrate if it wasn't refrigerated. It's a terrible business idea, yet we do it all the time.

This is the Masters of Scale summit. So I feel a moral obligation to ask one question about scaling so that they invite me back next year. So as I'm reading your memoir, I'm looking at all the whales you tried to scale. So you try to scale by getting more butts in seats, Then you want to get butts in different cities in seats, Then you want to get butts eating different kinds of foods in seats, and then you want to get butts watching your TV shows, and then you want to start delivering food to butts, and then you want to sell butts. Consumer packaged Goods. So let's talk about what you learned about scaling, trying all those things.

Well, this is an interesting topic because I think it is the hot button subject in food at least is the idea of scalability. And food, unlike any other form of culture that you consume, it is like not scalable. It really is not scalable. And I was just thinking about in 2013, 2014, I was friends with the former manager of U2, Paul McGinnis, and he was having a conversation about like this and he was like, your business is dumb, David. And I was like, no question about that. Then it's a dumb business. But one reason is you can't scale it. You can't scale it like music or downloads or what is now like streaming in general. And I didn't know it at the time, but he was showing me what later was that U2 download that every iPhone got. I think it was like iPhone 6 or something like that. And I was like, yeah, that's definitely scale. And we can never do anything like that. And that is the bottleneck with people that are looking to invest. Because you take this great idea and there's terroir, there's story, there's purpose, and a specific restaurant at a specific city and there are cultural banks. Like a great restaurant is a cultural bank to its neighborhood. Yes, you can scale that. Yes, you have fast food. I have tried to do that. After that conversation, I tried to do our first, what is now like the first ghost kitchen. We did it with Thrive and we did another one called Ando. So Maple and Ando. And I knew that we had to scale, like we had to integrate technology at some point. But you know, like food and tech just don't go hand in hand. It doesn't. Because at the end of the day, everybody wants to eat at seven o', clock, right? You cannot manufacture food fast enough. And it's still no matter what you say, you need people cooking. It is a workman's like job and it's slow and it's plodding and until somebody creates ways to make the throughput of food faster. But I don't know if that's going to be delicious. It's not going to ever really scale. So knowing that and knowing that food is not scalable, the irony here is the fact that food is not scalable is why it is becoming infinitely scalable. Because what is being broadcast on social media now are really high end restaurants or experiential dining that you cannot consume, but you can now broadcast and, and that becomes cultural currency. So high end dining restaurants, let's just say the French Laundry here, it's harder to get in than ever before because there's a limited amount of these reservations and the demand is growing and growing, growing. So you have this barbell thing, you have super high end and experiential dining. And weirdly, that's becoming scalable. And I don't know how to explain that, but they're able to expand. But they're also more importantly being able to charge higher prices, which they should be doing. And then you have things that are going to be cheaper and faster. Not necessarily cheaper these days, but faster because we're going to have food that you're going to be able to order on your app and it'll be at your door pretty instantly. I do believe that my concern is everything in between, but that is not scalable. And I'm mostly concerned about the things that are not scalable.

But Dave, I want to point out to you that these people are alternating how to scale. Not that something cannot scale.

Listen, I've talked to so many people that are advanced in technology and they all say, hey, you can do this, you can do that. But, well, you have to design an oven that's faster and all of these things. It will take time, it will happen. All of this is going to happen. It just can't happen at once. So I think this idea of broadcasting, this fear of missing out on food is good and bad. But I think what we need to figure out, honestly, everyone in this room is like, the restaurants that can't scale. My focus is like, how do you save those restaurants that are your neighborhood mom and pop, the diners? And I feel like we're losing the ability to actually judge the quality of what's good now because everything's going to what is the best? This hyperbole in the media. This is the best 38 restaurants. This is the steakhouse you have to eat at. And I'm just telling you, like, I think everyone should go to these lists and go to these restaurants and eat at the restaurant next door to these restaurants and honestly choose five restaurants that you want to support. And it may not be the best restaurant you've ever had. I think we need to be comfortable with just eating good. You know, like, good's pretty goddamn amazing. So I don't know if that answers your question. And I know I'm going to talk to someone later, like, no, I can definitely scale it. And I've talked to a lot of very smart people, much smarter than myself, and I have no doubt that it'll happen, but we should be worried about everyone else that are just sort of making a restaurant their livelihood right now.

All right, so one of the stories that I found most endearing in your book was the story of Marge. So tell us the story of Marge, who started as an intern and eight years later was CEO of Momofuku.

Marguerite Mariscal, she is our CEO. She started as an intern, and then she had almost every position. And I remember telling our board when she was 25, I was like, she's going to be the CEO. And they all laughed in my face. Oh, she's too young. You're crazy. I was like, yes, I'm definitely crazy. But I think that she's going to be the right person. And I'm not betting on her now to be this fully formed sort of executive. I'm betting on who she's going to be. And there's a saying in hospitality that we can teach anybody how to cook. We can tell them techniques and so on and so forth, but we can't teach people, like, to give a shit. And she cared more than anybody else. And over the first few years, no matter where I was, she didn't have to be there, but she was there, adding value at all times. And that was an easy ask for me to be like, okay, I know that she's gonna be the best custodian of this brand where we're going.

And did she go to the Culinary Institute of America and all that? I mean, you say some places better to get a college education than a culinary education, right?

Yeah. I mean, cooking schools don't love me so much. It's not perfect for everybody. Some people certainly benefit from it. But you're talking about a 12 month program, so 24 month program that might be like $250,000 in tuition. They're not gonna make that back anytime soon in the workforce. Like, when I started to cook, everyone called me college boy because it was not like a cool thing to be as a cook at the time. And they were like, do our numbers? Do it on the counter? I was like, I was a religion major. Guys like, you do not. You do not want me to do anything number oriented. But what I learned was I learned how to critically think. I learned how to put disparate things together that may not be someone else's cup of tea. And I thought that learning how to think, learning how to communicate gave me a leg up in cooking. And like everyone else in college, for the most part, you work a job And I think you should go to a really great state school and work at a restaurant before you want to become a cook. And before you work in a restaurant, you should wash dishes for six months. And if you love it, then just maybe the profession's for you.

In my podcast, I once interviewed Marc Maron and he wrote the book the Subtle Art of Not Giving a. You know. And he told me that you will truly know that you discovered what you love when it involves a shit sandwich. And you love the shit sandwich. And it seems to me the restaurant business and what you described, there's a lot of shit sandwiches that you love, right?

It's nonstop. It's honestly what people cook the best.

Okay, this question, David, trust me, I'm trying to be deeper than it might seem. But I want to know what is the ideal number of Michelin stars to get as a restaurant? Obviously, everybody wants three, right?

No, no, no, no, no. We had the longest reign for two stars in New York City history. And for a while I wanted really three stars, but just. And I'm a highly competitive person and I wanted it. And then at some point, like halfway along the way, in 15 years, I was like, I'm good with two, because when you get three, you can only go down. They can only take it away, right? And two, I know what we can. And you know what? That's when I knew, like, I was getting older. And the things I cared about when I was younger, I don't care about at all anymore. And listen, I love when my peer group gets awarded with the highest praise and the highest honors, but I truly don't care at all about Michelin stars for myself anymore. But I want it for my team. It just doesn't mean anything to me anymore.

So if you get one star, you're so thrilled you got your star. You get two stars, it keeps you hungry. You get three stars, you always gotta be worried about.

It can only go downhill. Yeah, truly. And two stars just for those in the business, when someone's awarded two stars, that's the restaurant you want to eat at. Because you need to make the decision, is this person gonna try to go get three? And. And historically speaking, the restaurants that went from two to three, those are the moments. They're just like amazing albums in, like rock and roll. You want to go there. So you got a lot of great restaurants, a lot of two star, three star restaurants here. But if there's a new two star restaurant in San Francisco or one that goes to two or Oakland area, you should definitely check Those out. But also, who gives a shit about the mission guide? You can go to any restaurant. It'll be good.

So the. The COVID of your book shows Odd Job pushing the peach up the hill.

Right.

And you're 48 years old now. Right. I want to know, has the Sisyphus boulder changed for you? What's the boulder now?

Yeah, I don't know. I think about that all the time. For those that don't know the Greek myth of Sisyphus, right. He's eternally punished to roll this boulder up the hill, only to have it roll back down on him when he reaches the top of the hill. And I actually view it as a inspirational story.

You're Asian.

I do. Because you have a choice. You can have a choice to be like, I've been presented this really crappy situation, which we're all presented all the time, and you can bitch and moan about it, or you can actually say, this is not going to affect how I'm going to think about this. I'm going to roll this boulder up the hill better than anyone's ever rolled it. And that's the mindset that I have. And I gotta be honest, now that I'm a father of two, I'm 48, it's like, maybe I don't want to roll this boulder that much more anymore. That's just where I'm at. Yeah. I'm not as angry as I used to be. And I would much rather be a dad than be me.

So having Hugo, your first child, was the turning point for sure. Yeah.

I mean, Hugo was born 2019, his first birthday, which is a big deal in Korean culture. We celebrate March 1st and in 2020. And then the world ended. And that was tough for so many people, particularly restaurant business. And I think it was spending time with my son. Cause I was on the road probably 175 days a year. We had restaurants in Canada, Australia, a bunch of places. We'd open up, like nine restaurants in 24 months. Talk about not scalable. That was not a scalable pace. And then I just was like, you know what? I don't want to do this anymore. Like this. So, thankfully, we started to grow our CPG business. And I spend less time on the restaurant. And you're scaling, and all of a sudden we're scaling. And the funny thing is, no offense to certain parts of America, but I don't want to fucking go there. I don't want to open up a restaurant there. And one of my investors told me, you are the worst businessman I've ever met in my life, Jason. Because I cannot tinker. If a restaurant's supposed to be the same, I will definitely screw it, and it will be different. Right? And I just have to. I can't do the same thing. It drives me crazy. But now we can have control. I'm a control freak. So we can work on a product. The only problem with consumer product goods and retail and grocery stores, it moves at a snail's pace. And I'm an addict to a lot of things, but I'm an addict to action. And that's been hard for me, is while we're scaling this consumer product goods business, it moves so goddamn slow.

So if there's anybody in the world who can answer this, it is you. So what is the impact of the, shall I say, war on immigrants that's going on right now? What impact is that going to have on the restaurant business?

I always think about, like, Singapore. I don't know what they're doing right now, but they put a ban on immigrants. And I remember my friends at our restaurants in Singapore, we don't have any employees. No one's working. And I remember 2016 couldn't find a lot of laborers or cooks or dishwashers. And here's the problem. I think a lot of restaurateur chefs want to speak out, but they don't want to become a target for the people that work there. That sucks. Right? And it's difficult. It's difficult right now. It's not fair that a lot of people. And they don't have to be restaurant workers, that there's just too many people that live in a state of fear, and that's just completely unacceptable.

So have you. Have you done anything for Momofuku to help this situation, or can you do anything?

We can help as much as we can, and I don't want to speak more than that.

Okay.

But we're helping. Yeah.

All right.

I don't want to get morbid, but I want to ask you. So at the end of your life, I'm closer than you. At the end of your life, what do you want your eulogy to be? Is it chef or father or entrepreneur or Steve Jobs?

No, no, no, no, no. Asshole. That's what it is. Asshole. No, I. I think people might think about it a lot. And honestly, I was telling you before we came up here, I genuinely am shocked with myself that I don't care about the things I used to care about. I'm sure you guys know plenty of very wealthy, successful people. Let Me tell you, no one's going to care about them. Your legacy ultimately, to me, doesn't matter. It's all ephemeral and I don't care about it. I used to, but now it's. I would much rather just be like a good dad and a good sort of executive and partner to the people I work with. But I'm not trying to think about those things. All I wanted to do before is win every goddamn award possible, and I just don't care. I also understand when I talk to somebody that's younger and they're like, oh, I'm a semi finalist for the James Beard Awards. And let me tell. I was like, dude, it doesn't fucking matter. And they're like, shut up, Dave. You won a bunch. You can say that. And I was like, I totally understand you, but I guarantee you, if you stop caring about it, you'll probably win a ton of them.

Okay, so we know what you don't want to do. What's your eulogy say?

Well, let's put it this way. Dave Chang was an asshole, and he learned not to be an asshole.

That's a higher bar. This is going down a real deep hole. But I'm very curious. So the COVID of his book. I should have brought the book out with me. It shows this tiny little guy pushing this peach up a hill. And the guy you say is Odd Job.

It's Odd Job.

An odd job if you're old enough. He was the guy with a bowler hat. Yeah. With the metal hat that threw the hat.

Nobody. They're all too young.

You're all looking at us like we're nuts, right? So believe it or not, that guy's name is Harold Sakata.

I know.

He's from Hawaii. My father and he served together in the army. He and my father were gonna have a tag team. Wrestling. Professional wrestling team. Yeah. And he was a family friend. So I got a ride with him driving around a Mercedes 280SL. And he was driving me around in that car, and I said, guy, this is why you gotta work hard. So what is your connection with Harold Sakata?

Well, it's not just him. I hate talking about, like, representation and stuff for the sake of it, but for me, my only heroes were people like oddjob and Bruce Lee and anybody that was a villain in movies, they happened to be like a computer expert or a demolition expert or something like that. And I was like, okay. Growing up, these were the people I would saw. So I was like a huge fan of oddjob. I'D watch James Bond. Everyone's like, I want to be like James Bond. I was like, I want to be like oddjob. You know what I mean? Again, it's a very different thing in 2025, but, you know, in the 80s, growing up as a kid, you just didn't see anything like that. So when you see someone on TV that happened to be Asian, I was like, yeah, okay, let's go. There was nobody on sports, I can tell you.

Every.

It was Jumbo Ozaki, Japanese golfer, Jun ring in Taekwondo, and that's about it. So, yeah, in Hollywood, that was my guy.

We're out of time. But my logic here is, what are they gonna do, not invite us back? So since we talked about Audra, I gotta tell you a funny story about me.

So.

One day, so this is about 15 years ago, I had a 911, okay? I'm driving in Menlo Park. I made him a 911. So 911 is a Porsche. So, you know, all Porsche drivers are assholes. So with that caveat, I'm driving my Porsche. I pull up to a stop sign. I look to my left. There's a car full of four teenage girls. They're giggling, they're laughing, they're making eye contact. And the one in the front seat says, roll down your window. So I roll down my window. She sticks her head out and she says, are you Jackie Chan? So that's. We got to have our heroes, right? Right. So ever since that day, my goal in life is that some girl in Hong Kong asked Jackie Chan if he's mean.

So now.

I'm going to let you close with a message to this audience about changing the world and being a father and not being an asshole. What's your final message here, David Chang?

I wasn't anticipating this. My God, it's like a commencement speech. My goodness. Wow, this is now a lot of pressure.

David Chang is speechless.

Listen, this whole idea of scalability, I'll tell you, when we started Maple in 2015, it was one of the reasons why, again from that Paul McGinnis conversation, I wanted to do something. I had never worked with people that were venture capitalists, like, we work with Thrive. And it was Josh and Will Gabric who's at Stripe now. And I was blown away at the kind of big picture thinking that was possible. I didn't even understand the numbers that was being thrown around and the logistics. And I learned so much that there is innovation that can be had in industries that you didn't think were possible. And that are completely uncool. And food, I think, needs a lot of help. We need a lot of help. And I just would say if you're going to scale food, don't make shitty food. Don't make shitty food.

All right?

Don't make a bowl of slop. Try to make something beautiful with great ingredients, and everyone's happy to work there.

All right, so let's give it up for Steve Jobs with a Knife.

Thank you, guys.

This is remarkable, people.