4:20

In this video, J. Anthony Allen walks through the production of his track "Circadian" from the album Anascorsia. He explains that the piece is built primarily from MIDI, with only the drum parts recorded as audio. The composition starts with a simple bell riff that he loops, duplicates, and offsets to create a dense, evolving bell wash. He then adds a distorted synth that mimics a Rhodes, though the original sample is missing due to a software version change. String and orchestral elements are layered on top, further expanding the arrangement. A frantic drum groove provides rhythmic drive, complemented by subtle vocal samples and numerous small automation tweaks that add dynamic pushes toward the end. Allen reflects positively on the track, expressing continued pride, and concludes by playing the full song.

Chapters

More from J.

youtube.com

Alterations to the Minor Scale

8mo ago
youtube.com

Welcome to the Minor Scale!

8mo ago
youtube.com

Other Tuplets

8mo ago
youtube.com

Triplets! Part 2

8mo ago
youtube.com

Another Perspective on Compound Meters

8mo ago
youtube.com

Threnody For Melania

8mo ago
youtube.com

What is "Compound Meter" in Music Theory?

8mo ago
youtube.com

"Tendency Tones" in Music Theory

8mo ago
youtube.com

Names of Scale Degrees (Music Theory)

8mo ago
youtube.com

"Borrowing" from closely related keys

9mo ago
youtube.com

The circle of fifths: More than just a pretty thing on the wall

9mo ago
See all content