J. Anthony Allen walks through every audio and MIDI effect in Ableton Live 11 Suite. The series covers Erosion, EQ8, Freeze, compressors, limiters, and distortion tools, designed as both a tutorial and a reference guide for beginners and experienced producers.
Sa. Hey, everyone.
Welcome to Ableton Live 11. In this class, we're going to cover all aspects of Ableton Live, from just learning the program to recording, to producing, to DJing, mixing, mastering. Everything is going to be included in this huge, huge multi part class. So if you're brand new to the program, this is the best place to start. If you're already familiar with another audio program, all of these classes will get you up to speed on using live
to do professional music production in no time.
This is part five. In this part, we're going to focus on audio and MIDI effects. I'm going to go through every single audio effect and every single MIDI effect included in Ableton Live 11 suite. That's the most that we get in the context of doing this. I'll also teach you how to use some of the more common effects that you may have seen before, like compressors, limiters, various kinds of distortion, and tools that you might not be familiar with in detail. This class will serve not only as a great class to get you up to speed on all of the effects in Live, but also as a reference because we are going to go through every single one. So bookmark this class because you come to it whenever you don't know how to use something.
Up next, erosion. Erosion isn't what some people think. I've heard a lot of people talk about erosion as a bit crusher, and it's not a bit crusher. A bit crusher is when you start simulating at the same information. This is one way, this is another way. In this point, we have the threshold here. And then with EQ8, we have 8 points versus the 3 we had before. Right? Before we had low mids and highs. Now we have eight. And they're not called low mids and highs because they can be whatever we want them to be. We can move them around new things that we didn't before when we weren't in a spectral effect, right? Spectral means we have access to the frequency content. So let's focus on this freeze section first. This does kind of what it sounds like. It gives us. Let's turn the delay off and it gives us. Sa.
