Chapter 21 - The Wonderful Wizard of Oz Masterwork Analysis

Hello and welcome to the StoryGrid Masterwork Podcast. We're part of a growing StoryGrid community that includes thousands of writers and editors from all over the world. We're dedicated to helping writers improve their craft through books, podcasts, courses, and online forums. In this StoryGrid Masterwork podcast, we'll be reading and analyzing great books to learn what makes them work so well. I'm your host, Bib Bailey. This season, we're reading the Wonderful wizard of Oz, L. Frank Baum's classic novel about a young girl's heroic journey. In each episode, I'll read you one of the book's 24 scenes and then we'll analyze the scene using storygrid tools and methods in order to understand how and why this story endures and still captivates readers more than a century after it was written. Editor and publisher Sean Coyne developed StoryGrid during 30 years in the storytelling business. He's applied his knowledge to dozens of best selling fiction and nonfiction stories and now shares what he's learned in the StoryGrid community. You'll find a full introduction to StoryGrid's method of analyzing scenes in the first episode of this series. Now let's review how we'll analyze today's scene. If you're already familiar with StoryGrid, you can skip ahead 1 minute 40 seconds to start listening to the scene. We use five first principles to analyze any story. First, we look at a story both as a whole and in smaller parts. In this podcast, we'll dissect the Wonderful wizard of Oz in parts, scene by scene. Second, we look for a change inside the world of the story, because all stories are about change. Third, we figure out how the change is linked to a universal human value such as safety, love, or justice. Fourth, we sum up the change in that human value in a single sentence called a story event. To find the story event, we ask four Socratic questions. These questions help us see what's actually happening in the scene, what the character's essential tactics are, and how they connect to the universal human value at stake. Fifth, when we know our story event, we look at how the scene is constructed by using what we call the the five commandments of storytelling. The five commandments we'll find in each scene of the Wonderful wizard of Oz the inciting incident, which kicks off the action. The turning point Progressive complication, An unexpected event that turns the human value at stake in the scene and gives rise to the crisis, which is a dilemma about how to confront the unexpected event. The climax which is the decision and action a character takes in response to the crisis, the resolution which is the outcome of the action of the climax. Now let's step onto the Yellow Brick Road with Dorothy and listen to this week's scene and analysis.

The Wonderful wizard of Oz by L. Frank Baum Scene 21 the Lion Becomes.

King of the Beasts.

After climbing down from the China Wall, the travelers found themselves in a disagreeable country, full of bogs and marshes and covered with tall, rank grass. It was difficult to walk without falling into muddy holes, for the grass was so thick that it hid them from sight. However, by carefully picking their way, they got safely along until they reached solid ground. But here the country seemed wilder than ever, and after a long and tiresome walk through the underbrush, they entered another forest where the trees were bigger and older than any they had ever seen.

This forest is perfectly delightful, declared the.

Lion, looking around him with joy.

Never have I seen a more beautiful place.

Seems gloomy, said the scarecrow. Not a bit of it, answered the Lion.

I should like to live here all my life. See how soft the dried leaves are under your feet, and how rich and green the moss is that clings to these old trees. Surely no wild beast could wish a pleasanter home.

Perhaps there are wild beasts in the.

Forest now, said Dorothy. I suppose there are, returned the lion.

But I do not see any of them about.

They walked through the forest until it became too dark to go any farther. Dorothy and Toto and the lion lay down to sleep while the woodman and the scarecrow kept watch over them as usual.

When morning came, they started again. Before they had gone far, they heard a low rumble as of the growling of many wild animals. Toto whimpered a little, but none of the others was frightened, and they kept along the well trodden path until they came to an opening in the wood in which were gathered hundreds of beasts of every variety. There were tigers and elephants and bears and wolves and foxes and all the others in the natural history, and for a moment Dorothy was afraid. But the lion explained that the animals were holding a meeting, and he judged by their snarling and growling that that they were in great trouble.

As he spoke, several of the beasts caught sight of him, and at once the great assemblage hushed. As if by magic, the biggest of the tigers came up to the lion and bowed, saying, welcome, O King of beasts.

You have come in good time to fight our enemy and bring peace to all the animals of the forest once more.

What is your trouble?

Asked the lion quietly. We are all threatened Answered the Tiger.

By a fierce enemy which has lately come into this forest. It is a most tremendous monster, like a great spider, with a body as big as an elephant and legs as long as a tree trunk.

It has eight of these long legs.

And as the monster crawls through the forest, he seizes an animal with a leg and drags it to his mouth, where he eats it as a spider does a fly.

Not one of us is safe while.

This fierce creature is alive, and we have called a meeting to decide how.

To take care of ourselves when you came among us. The lion thought for a moment.

Are there other lions in this forest?

He asked. No.

There were some, but the monster has eaten them all. And besides, they were none of them nearly so large and brave as you.

If I put an end to your enemy, will you bow down to me and obey me as king of the forest?

Inquired the lion.

Will we will do that?

Gladly, returned the tiger, and all the.

Other beasts roared with a mighty roar.

We will.

Where is this great spider of yours now?

Asked the lion.

Yonder among the oak trees, said the Tiger, pointing with his forefoot.

Take good care of these friends of.

Mine, said the lion, and I will.

Go at once to fight the monster.

He bade his comrades goodbye and marched proudly away to do battle with the enemy. The great spider was lying asleep when the lion found him, and it looked so ugly that its foe turned up his nose in disgust. Its legs were quite as long as the tiger had said, and its body covered with coarse black hair. It had a great mouth with a row of sharp teeth a foot long. But its head was joined to the pudgy body by a neck as slender as a wasp's waist. This gave the lion a hint of the best way to attack the creature, and as he knew it was easier to fight it asleep than awake. He gave a great spring and landed directly upon the monster's back. Then, with one blow of his heavy paw, all armed with sharp claws, he knocked the spider's head from its body. Jumping down, he watched it until the long leg stopped wiggling. When he knew it was quite dead, the lion went back to the opening where the beasts of the forest were waiting for him and said proudly, you.

Need fear your enemy no longer.

Then the beasts bowed down to the lion as their king, and he promised to come back and rule over them as soon as Dorothy was safely on her way to Kansas.

Now let's use storygrid first principles to analyze the scene. A story event is an active change of a universal human value for one or more characters As a result of conflict, one character's desires clash with another's or an environmental shift changes the value positively or negatively? A working scene contains at least one story event. To determine a scene's story event, answer these four Socratic questions.

What are the characters literally doing? That is what are their micro on the ground actions?

The group enters a forest that only the lion finds appealing and spends the night. In the morning, the lion confers with the animals in the forest and sets out to slay their enemy, which he does and he assumes control of the territory. Question number two. What is the essential tactic of the characters? That is what macro behaviors are they employing that are linked to a universal human value? The lion sees this opportunity courageously. Question number three. What universal human values have changed for one or more characters in the scene? Which one of those value changes is most important and should be included in the story grid spreadsheet?

When in doubt, the story grid rule of thumb is to highlight the value that best aligns with the progress of the global human value at stake in the story. The Wonderful wizard of Oz is an action story which has a global value at stake of life death. Throughout the story grid spreadsheet, we'll track the ways life is threatened or enhanced scene by scene. The value shift is clear threatened to safe. Question number four. What story event sums up the scenes on the ground actions, essential tactics and value change? We will enter that event in the story grid spreadsheet.

On their way to see Glinda the Good Witch, the lion seizes opportunity by killing a great spider and ascends to King of the Forest. Now let's examine how the scene abides the five commandments of storytelling. What's the inciting incident? Dorothy and the crew reach a dark beast ridden forest. What's the turning point? Progressive complication.

The beasts are terrorized by a giant spider and they want the lion to kill it for them. What's the crisis? It's a best bad choice. If the team does not get through the forest, they will not meet Glinda. If the lion gets killed fighting a spider, the beasts will kill his friends. What's the climax? The lion kills the spider. What's the resolution?

The lion is now king of the forest. Thanks for listening and please join Dorothy, Toto and me on the next leg of our fantastic journey. If you're writing or thinking about writing a story about a heroic journey, you'll be interested in Sean Coyne's upcoming online.

Seminar devoted to helping writers understand and.

Use the heroic journey in their own work work.

It's a macro and micro examination of why these stories speak to us so compellingly and how to use the Heroic.

Journey to level up Your writing using StoryGrid specific tools.

It includes a trip to the Shire to do a macro analysis of J.R.R. tolkien's the Hobbit, with a few detours to Oz and Emerald City along the way. Go to www.storygrid.comhero to find out more. We'd love to see you there.

This has been Bib Bailey for the.

Story Grid Masterwork podcast. I'll see you next time. My prettiest.