In this monologue, the filmmaker articulates a commitment to counter sensationalized portrayals of marginalized communities. They argue that conventional documentary practices often claim objectivity, treating subjects as objects, which can silence nuanced experiences. To address this, the filmmaker emphasizes deliberately seeking underrepresented perspectives and fostering deep collaboration with subjects, believing that such partnership yields richer, more beautiful stories.
My focus as a filmmaker is to counter sensationalized stories, specifically in marginalized communities. I think when you approach a story as a filmmaker, you kind of have of like, oh, this is what I want this story to be. Part of what I'm trying to really lay the foundation for my work is just going out of my way to seek out the different perspectives that might not be known to most people. I think a lot of times with documentary filmmaking, there's this idea of objectivity where you're supposed to treat the subject matter and the people who are a part of that subject matter as objects to be explored, to be discussed, to be presented as objectively. And in doing that, we run the risk of negating and silencing All the nuances of people's stories. Part of the reason why we have a lot of very one-sided, narrow narratives that are perpetuated by documentaries is because people don't collaborate enough with their subjects. And I think that's an approach that I really want to try doing. I think always keeping that in mind, for me at least, in my experience, that has always brought out the most beautiful stories.
Both Squarespace and Webflow Have Templates. Here's What Sets Squarespace Apart
