A coach walks an actor through finding their scene objective by connecting to emotional memory, then emphasizes trusting instinct and listening moment-to-moment instead of forcing a predetermined way the scene should play.
What do you want from him right there? If you think about your objective of the scene, I.
Want to escape him, but from him, I want him to confess.
Now you close your eyes for a second and you plugged what happened just before.
All right? There is nothing left. Nothing I have done. So you're gonna let God. I'm gonna grow up without a mother?
Yeah. Are you really done? Feel the time in your life when you really, really felt like you.
I'm done.
What are you done with in your life right now?
I'm done.
That's right. Most of the time we get stuck because we have an idea of the way the scene has to drive. And what I want you to do is breaking that, to listen to each other and to go to moment to moment and make sure that the emotional life is coming from an instant moment. And trust the fact that you have an instinct.
No, there's nothing there.
From a workshop with ACT IN to Emily in Paris - Interview with Philippine Leroy Beaulieu - French
