The video captures a behind‑the‑scenes look at the filming of the Bad Boys: Ride or Die commercial, featuring a lively, improvised exchange among cast, crew, and Jimmy Butler III. The transcript is a stream of on‑set banter, jokes, and direction cues: questions about what to do when "they come for you," playful references to the Lakers, brand slogans like "Here comes the thunder," and humorous self‑awareness about feet and socks. Crew members call out for specific people (e.g., Pierce), give technical instructions (cut the treadmill, take off a sock), and react with applause and encouragement after takes. Cultural nods appear, such as mentions of "black girl magic," "men magic," and a Chilean identity. The overall tone is informal, energetic, and collaborative, showcasing how the commercial’s edgy, camaraderie‑focused narrative is shaped through spontaneous dialogue and coordinated direction.
Chapters
The question though is what you gonna do? What you wanna do when they come for you? Okay, come on, we gotta keep this ball moving here. Hold on. You gotta keep going 'cause you're gonna be waiting infinity for an apology. I know I— We got the Lakers in the building, amen. People who like what I'm doing, they talking about signing me. I told them come back when the offer card drew because they told me I might be able to replace Jimmy Butler. Listen, listen. [FOREIGN LANGUAGE] But Bad Boys 5, right? We gotta drink a little bit, says Kaya. It's 9 PM right now. It's 9 PM, baby, don't do that. I saw the look. You gave the look that I'm lying. I did not. You did. It's 9 PM over here, we on set. Y'all don't look at my feet 'cause I ain't got a pedicure. I got pretty feet though. I do got pretty feet. For an athlete, I got pretty feet. Don't look at my right foot. We'll find out in a second. Don't, nah, I'm finna take my right foot off. Don't look at my right foot. Not off, I'm gonna take my sock off. Don't look, look over there, birds. Here, you wanna do this? 'Cause normally you tie this on my head. Can we hear all your different bad boy takes? Nah, I don't know about my bad boy takes. Hold on, let me see that again. While you back there, you might as well cut the treadmill on. Yeah, I can deal with this. I actually like this vibe. Okay, I think this feels like a you vibe. That's petting my head. Are you ready? Ready. And this is hard. I feel like Will Smith. That phone won't kill me, you ain't gotta feel me. Know a lot of grown folk act like children, breeze in my face. But the question is, What you gonna do? Yeah, what you gonna do when they come for you? Next. Pierce, get over here, Pierce! You get over here, Pierce! Pierce, I need you. I need you. You're my boy, right? Yeah, I'm your boy. What's his word right here? Wait, hold on, hold on. What's his word? Mall. Goddamn it! Somebody else besides Pierce, get over here! What's this word? Did you hear what your dad says? No. What's this word? I don't know. That's it? What did you say? What did you say? Come on. Come on. Say it again. What'd you say? No, no, no. Perfect. Thank you. Thank you. Thank you. You got to say my way, dummy. Amen. My way. I told y'all. It took a minute. Hell, I knew I was going to find somebody. Good stuff. Good stuff. Waiting for the okay, guys. That's what we need. That's what us as men need. This black girl magic. I know. I feel you. Thank you. Men magic. I know your pain. I can feel it. Men magic. Get it, Jimmy. Men magic. Is he coming back? Uh, no, I think he went too far. Hey! That was my grandmother's urn. Again, just let me try again, guys. You know. And it's just, uh— I gotta take it off? You know, I got a lot of muscles, so— yeah, I got a lot of muscles. I'm from Chile. Chile? Is it Chilean? Chilean. Yeah, that's it. Chilean. Make sure you can get that over these fries. See how nice he is to you? Hey, I'm not doing this to you. When it comes to me, you're such a good actor. You're killing it. He is killing it. Like killing it, right? Like you should definitely be in movies. For me? Yeah. What type of movies? You tell me. I feel like you're filming out. No, no. Mine's not the worst one. Nah. You fall for it every time. My bad, my bad, my bad. I could barely fit me in here. Hell yeah. What? Open this up a little bit. Don't— you was finna say what? You was finna say what? Stop snitching! Whoa, whoa, whoa. Bad boys don't— you don't just kick the door open. No. You gotta kick it and say something. Boom! Yo, that boo is crazy. Who made the potato salad? That's really what I'm saying? No more basketball. Really? You're really saying who made the Here come the thunder. Here come the thunder? Yeah. All right. Ready? And up. Here comes the thunder. That one was good. That one was the worst of all of them. Get back, Lee Darragh. Get him. Boom. Thunder. We ride together, we die together. Oh, whoa. Whoa, whoa. You will never say that one again. Not ever. You got to, boy, you got to go out and ring the bell next time. No, I was in my zone. You will never, no, you didn't. I did. No, you didn't. I did. No. Cut. Cut. Thanks, y'all. Beautiful, beautiful, beautiful. Jimmy, we're going to keep you for one second. We're going to need this. Oh, you got one more. Thank you. Good work. We'll be in there. Jimmy Butler III. Big round of applause. I really don't want to get his back though.
