Edward MacLean walks a snowy trail while demonstrating sign language movements and hand-foot coordination drills. He breaks down specific signs like the letter T and O, arguing that embodying a song's authorship deepens how you experience music. A second voice chants "I am the one" throughout.
Hello, I am Edward MacLean, and welcome to Sign Movements. Today we are working on "In Bloom." I am drawing footpath behind me as I walk on the trail. So that is some sort of balancing exercise. It also connects my foot— toes. The pattern is like full effect. I'm going to switch the hands, just make sure I'm carrying the camera. I do hope that you are looking back properly. Can you see that? There it is! Look at that, finishing them up here. Big one up over the mountain. Choice. The gate. Edward MacLean, bring them on in. And let's take a look at this. Beautiful snow path. Love, love, love. To see it is perfection. Take a photo. I hope one of those saved. And then we continue. So I am the one who likes all the pretty songs. I am the one who likes all the pretty songs. I live and breathe in this world to enjoy good music. This is how I think you get the most enjoyment out of your music, truly immersing yourself in its authorship and its full embodiment. So here we go. We have— We have had a couple of corrections and a couple of something along the lines of a place that requires deeper understanding. One of those is the, so we have T in the THE position, right? So this is the, T in its 22nd position. Or 21sts, I suppose, depending on how you index. There I am being flippant again. But so, "the" is a good one. So then we have "I." I am the— I am the— I am the— I am the— and we have one. So because O, it's pinky up, it is left oriented, and Owen's second arm position, fourth hand position, to bring us to position number 29, 30. One. I am the one.
I am the one, one who like Sì. Oh. Boom! Boom!
