2:13

In this spoken monologue, Reverend Dr. A'Shellarien Addison critiques the 2022 film Honk for Jesus and Beyoncé’s song “Church Girl,” arguing that both works expose hidden hypocrisy within contemporary Christianity. She contends that the movie’s explicit sexual content and plot reveal pastors who are secretly gay or on the “DL,” and that women in the church are pressured to protect their husbands despite infidelity or misconduct, especially when the men are deemed “anointed.” Drawing on her personal experience as the wife of an “anointed” pastor who repeatedly received a pass for wrongdoing, Addison describes how she was told she could not leave, positioning herself as a victim of the same system she critiques. She also challenges the song’s title, suggesting alternatives like “Wanna‑Be Church Girl” to reflect that the track does not represent a genuine church experience. Throughout, she calls for believers to remove “blinders,” confront the truth, and stop normalizing double standards that allow pastors to preach against homosexuality while secretly grappling with it. The monologue blends personal testimony, cultural commentary, and a call to accountability within the church.

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