Matt Wolfe rigged a drift car with nine cameras including a Red Raptor, Sony FX9, and GoPro Hero 13B, then imported all footage directly into editing without transcoding or proxies. He color corrected the multicam sequence, applied LUTs, and used Stable Diffusion to generate an AI intro for a podcast.
Questions this video answers
Nine.
Sony A7R V; Sony FX3; Canon R5; DJI Runner 40; Sony FX9; GoPro Hero 13; Hero 13B (FPV); Red Raptor.
240 frames per second.
No — he said "no transcoding, no proxies, right into a timeline."
Chapters
I actually took all my cameras. I just piled all my cameras together and went to the racetrack. And what I did was I rigged this drift car with nine cameras.
A Sony A7R V, a Sony FX3, a Canon R5, a DJI Runner 40, which I'm controlling in the passenger seat of the car with the little hybrid monitor, a Sony FX9 GoPro Hero 13, a 13B, a Hero 13 on the FPV drone and a Red Raptor shooting 240 frames per second. And I just threw all the clips, no transcoding, no proxies, right into a timeline. And I color corrected them and I put the luts on them and I just played it back. All streams, all at the same time. They're all in the same sequence. So this is a multicam sequence and I'm able to just like select each one of the cameras with no problem. Holy moly, dude. Yeah, yeah, I can't even. So, and then to sprinkle it up, you know, I even did like some Gen AI stuff. I was like, hey, I want a little intro for the podcast. So I'm like, all right, well then I'll pipe it through stable diffusion and then I'm going to just do this whole pipeline over here to, to do a new prompt and then take a four second clip from one of my sequences and then do like a bunch of different styles and then throw my little logo that says Drifting Tech. And boom, I got my little intro.
