A chaptered talk (YouTube video by Worldwide Ty) arguing that musical albums function like houses in real estate: they are financial, foundational assets that artists should own as part of a long-term portfolio. The speaker (SPEAKER A) emphasizes ownership over long-term leasing of music rights and frames albums as business assets central to an artist’s career.
Now the next chapter, chapter three is every album's a house. So you know, once again we sold the American dream, right? But then all of the neighborhoods have these houses that look similar, right? Whoever built it out, they made their money and they got, and they got away. The thought process of a every album is a house because the albums are financial. They're foundational building points for your, for your career as a business owner, right? So if you in music, you know, you're basically building up your portfolio of albums, right? If you're a real estate owner you build up your portfolio of houses, right? I reference them to be the same because if you own a house you're not going to let nobody lease your house, rent your house out forever. You're not going to put a 20 or 20 year lease together for somebody to rent your house out. So why would you do it? On the music side.
