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In this monologue, Ryan Maloney likens learning to draw to learning baseball, arguing that both rely on relentless repetition. He describes how, after baseball practice, he would return home and draw the same elements—noses, mouths, eyes—over and over, producing hundreds or thousands of studies and then combining them. He stresses that drawing, like sport, requires starting out looking foolish, persisting through massive practice, and treating creation as a disciplined, repetitive activity.










