0:56

In this brief conversational excerpt, Speaker A asks about sample clearance and learns that it involves two distinct components: publishing rights and master rights. The discussion introduces the term "interpolation," which refers to re‑recording or re‑singing a portion of a composition; for interpolations only the publishing rights need to be cleared, not the master rights. When a producer lifts the original sound recording (the master), both publishing and master clearances are required. The speakers also reference Ian Allen, a long‑time industry professional who popularized the term "interpolation" while at Jive Records, highlighting his reputation for having "the best ears in the business." The dialogue clarifies when each type of clearance is necessary and provides a practical industry anecdote.

Chapters

More from Wendy

0:53
youtube.com

The Reason Most Artists Feel Stuck

7mo ago
24:34
youtube.com

PlaylistSupply and BookingAgent Platforms

1y ago
1:23:24
youtube.com

Yudu Gray, Jr from 247artists.com Speaks With Wendy Day

1y ago
0:32
youtube.com

“Royalties in under 5 minutes.”

1y ago
1:21:40
youtube.com

How To Place Digital Meta Ads :: Blane from PowerMoves x Wendy Day

1y ago
1:21:56
youtube.com

Running Digital Ads :: Chris Franco x Wendy Day

1y ago
38:52
youtube.com

How Much Is Your Music REALLY Worth? | Jeff Ponchick x Wendy Day | No Standing Zone Ep. 19

1y ago
0:23
youtube.com

Managing expectations is a major key to making it in this business... easier said than done!

1y ago
0:27
youtube.com

I had a great conversation with @SamuelRiddle on the most recent episode of No Standing Zone..

1y ago
1:09:26
youtube.com

Building Empires: How Sam Riddle Navigated from College Radio to Managing Megan Thee Stallion

1y ago
0:43
youtube.com

simplify your booking process...

1y ago
See all content