How Steve Madden Went From College Dropout to Billion Dollar Fashion Mogul With Only $1,100
20 Nov 2025 · 48 min
Steve Madden built a billion-dollar shoe brand starting with $1,100 and a Mary Jane design that took off. His 1993 IPO involved Jordan Belfort's firm, leading to legal trouble and prison time. He returned to run the company again and now navigates tariffs, Gen Z trends, and AI in fashion.
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Steve Madden.
Steve Madden went from working in a queen's shoe store to launching his namesake brand with just 1000 dol.
In this episode, he talks dupe culture, rebuilding after prison.
It's a house of horrors and the.
Instincts that actually built his legacy brand.
I'm Steve Madden. Welcome to the burnouts.
Steve Madden. Welcome to the burnouts.
You started the brand with only $1,100. Can you walk me through the first couple months of founding Steve Madden? What that looked like?
I suppose every time I do one of these, which I don't do many anymore, people always ask me that. I remember waking up and having butterflies after I left a job. I basically had a job for a company in New York and I was doing the shoes and I was selling the shoes. I do both, you know, I was like, I remember waking up and saying, what did I do? What am I gonna do? Like little butterflies. You ever get butterflies? I call it a vague sense of impending doom. And that was what it was like. I was like, how dare I do this? What am I doing? I was making a good living, you know, I was making money, but I knew that I wanted to be in. In charge of my vision. That sounds so lofty. I don't mean it to be, but I mean, I wanted to be the director. It really wasn't about money. I mean, I thought I could make some money and I. And I like making money. Don't get me, don't get it wrong here. But it was really about that. I just wanted to be the sort of master of my fate.
And if we are to even back up a little bit more. So you had gone to college and then you dropped out and you entered in essentially the fashion world. I want to better understand, like, what drew you to fashion, making shoes. What was the purpose, personal motivation for you?
Well, number one, I had to pay the rent. I dropped out of college. University of Miami in Florida. My father called up and said, I'm not paying for you anymore, so you better figure out what you're going to do next. I think I was 19 or 20 when that happened. Can you imagine somebody doing that today? Like, you know how parents are. You know, they would never do anything like that, right? You know, not pay if they had the money. You know, my. My dad said, you're out, pal. You better figure it out. I went to work in a shoe store, and that's how it all started, really. Basically, I learned everything that you could learn, you know, waiting on hysterical women selling them shoes. But did you.
Did you enjoy it? Did you want to work at the shoe store?
I liked and have feel for shoes? You know, there's a sort of a little feel for it. I had the sense that something was coming, but it wasn't like, oh, I'm gonna have this shoe company one day, and it's. It's gonna be a household name kind of a thing. It wasn't like that. But I did have the sense that I was doing something for the future. It was almost like being in the minor leagues and working on. If you were a pitcher, working on your curveball or something. It was a little bit like that. I mean, looking back, it sounds very planned. Of course it wasn't. And I was doing other things, too. But I knew I had to sense that something. Maybe my friends would make fun of me, all my good friends. So in those days, I lived in this town and called Lawrence right by Kennedy Airport. And they would. They would be like 21 or something, and they would get their first job in New York City, and they would take the railroad in, you know, and there was sort of like pretend grownups, and they'd call me shoe salesmen, you know, because I would stay behind in the town, you know, with a shoehorn sticking out of my pocket, putting on shoes, you know, for women. And so I was the butt of jokes.
Let's talk about the first shoe that you made that went, I mean, viral. Before viral was actually before viral, like the Mary Jane shoe with the little heel. Can you talk about what that experience was like? Did you know that you would hit something magical at that point In.
In those days, people did not pay attention to the young market. They sort of, you know, there was docs, maybe Doc Martens. I don't even know if there was. I'm trying to remember. But nobody really cared about it. They just sort of made sho. And you know, I. So I came up with this Mary Jane and all of a sudden these 15 year olds had a shoe that was like for them. So the phone started ringing and so that was the first sort of hit it was portrayed in the movie. I want to say they did try to talk about it in the Wolf of Wall Street. Steve Madden. Steve Madden in 1993. I went before.
These group of brokers when they were taking me. I would public early and they talked about the Mary Jane. It was called the Mary Lou actually. And I'm. I gave this convoluted speech in front of all these brokers where they were throwing shoes at me and calling me all these names. And he captured that. Martin Scorsese captured that moment on film. Fellow that played me in the movie, his name is Jake Hoffman and he's. And I see him, we're friends today and we get a kick out of that. In fact, I saw him last night.
At the Knick game and what do.
You think made you so good at designing women's shoes? Is there a certain piece of inspiration that you had or. Why do you think that you have such good intuition for it?
I just have a feel for it. We're sort of got this terrible moniker as the leader of dupe culture, which of course we do, you know, but we've designed so many shoes, more shoes than anybody. We, we have a factory, we have a design factory in Queens. Nobody has that. So, you know, like there's a Chanel shoe. So we may, you know, we make the. Or a Gucci shoe in there, $150 and. Or a jelly that's $900, you know, so we make it for $50 or $60 and little changes here and there, but that's today. But in the beginning we were designing and creating all the time, as we still do.
No, I'm just a.
What is your hot take on dude culture?
I'm a fucking pirate. You know what I mean? In fact, I want to get a tattoo of a pirate right on my arm. And I was going to get a tattoo on my back, but I think I'm going to get it right here. I think it would be all right. Like a pirate with a patch over his eye.
Do you guys look on the Internet of like, okay, this shoe's going viral. Like let's recreate it.
Besides that I mean, we make a lot of our own shoes and we make those shoes and we do. It's like a big Steve Madden. I swear, it's like a big pot of stew. You know, you stir it around, you have dreams. You dream of something, you design something, you see something on the street, you see the latest Gucci shoe, and you stare it around in the pot, Boom, it comes out. And that's really the way it is. You know, it's a big pot.
How much of design is driven also by, like, data of understanding what's hot right now or what trends are in.
My data comes from seeing it.
Around New York City. You know, boom. Like, if I walk three blocks and I see three shoes that see three of the same shoes, Bingo. You know what I mean? That's it. Of course, as I have gotten older, I'm less mobile. But we have a lot of people that I train that are very good. And plus, you know, we have a lot of our own stores in every city in America. And, you know, we. We see what's happening in the stores and. And so it's very much test and react. It's harder today because of as we make less shoes in China, it gets harder because they're so good over there. You know, we make shoes all over the world. We make tons of shoes in Mexico, which is great because the food in Mexico is so great. No, it really is. I love going there. It's the greatest food. It's like, it's better than Italy. Speed to market is everything for us.
I love this ownership of you. Just wanting to make what. What people want.
I guess I've always wanted to do that, you know, I mean, I remember.
I. Yeah, I like doing that. And.
My phone is ringing. It's probably a lawyer from Chanel.
Oh, it's my daughter. Wait. Hi, honey, can I call you right back? Okay. Okay, love you. Bye.
So.
The COVID is a little Ugly People.
No, here, you can hold it. It's fine.
Where were we on that? I did have a point I wanted to make.
Oh, are you saying, like, you. You want to make things that people actually want?
No, I do, and I'm inspired by what's happening. I got sober when I first started the business. I used to take a lot of drugs and drink and I was pretty crazy. And then I, for some reason actually happened all around the same time. There's a place to sort. It's very good. And so it was in the West Village, you know, and I lived sort of in the middle of the village. And I. And I would walk there, you know, and I would see what everybody was wearing on my way from Mercer street to Perry street, which is like sort of the East Village to the West Village. Not quite. And for a while, my line was only those kinds of things. That's all I saw. You know, it's like a lot of black shoes with platforms, stuff like that. I was. I'm very influenced by what I see, you know, and in those days, it was. Pat Fields was a big deal. A lot of that kind of like ballet shoes with big bottoms was very sort of Japanese inspired, you know, that kind of. But anyway, so I'm just influenced. But in those days, I had no employees. It was just me making the shoes anyway. Yes, yes, we are influenced very much by the marketplace. And.
You know, it's frustrating sometimes, too, I want to tell you. And this is the other side. We design shoes all the time and we. I'll make a shoe. And it just. It's frustrating because it's. They don't want it. I love it. Well, I love that shoe. You know, we do a moccasin on a big heel. Not only are we in dupe culture, but they want what they see in. On TikTok and what. And all of that kind of thing. I mean, you. You understand. So it's a little frustrating creatively, frankly. But anyway, there we are. We always trying to make our girls happy, trying to make great shoes. And that is, you know, the north star of our company, which is. It's always about product.
Over a year into the business, it's like being a founder is just lessons in rejection. Getting rejected all the time and then like, stacking those on top of each other to actually, like, learn how to move the business forward. Rejection when a customer doesn't like something new feature that you've pushed and okay, adapting that, it's rejection if someone doesn't want to finance you and you're putting out your entire pitch out there because it feels like you're putting out your heart. But it's about like, actually instead of being like, wow, that was a negative experience, actually taking that and be like, well, where did we mess up in our pitch? What did we miss? What are we not thinking about? I want to switch tones a little bit and talk about in 1993, you guys, IPO with Jordan Belford's firm. What did you learn from that experience?
Before you finish it is someone asked me yesterday, someone that worked. I want to be like you. I want to be, you know, I want to be. And so what did you do? And I said, I suffered a lot.
You know, but anyway, yes, my childhood friends.
Started, you know, they had this thing, this bucket shop, what they call it, kind of a bucket shop. And, you know, if you saw the movie Wolf of Wall street and all that, and they take companies and take them public and really, really, it was a little bit of a scheme and I was involved in it, you know, and I was the product for them, you know, Steve Madden, at the time, we didn't realize quite like that, but, you know, anyway, I raised the money that I would otherwise not have raised and we put it to good use, as you could see. Although I got in trouble.
And it was a good lesson. It was. It was not a great moment, but you can ask all about that. I don't care.
Yeah, you're such an open book. I love it.
It is what it is. I mean, I needed to raise money. They were my childhood friends. We go, we'll take you public, blah, blah. And that's really what it was. But they were taking some shitty companies out there and selling stock, and.
I was part of it, you know, I was part of it and I got in trouble.
What did the moment feel like when you were stepping down as CEO?
You should say, what was prison like?
Yeah, I actually do want to know. I'm curious because what was it like? Well, you were.
It was terrible.
No, what I'm curious about is less about, like, what was prison like? But how were you the creative and design chief while in prison?
That was a while ago. But there is no way to do that. Yeah, I mean, I had a contract and it. In the contract didn't say that if, you know, I got paid when I was in prison, which. Which raised eyebrows. But, I mean, it was. I. There's no way there was. You are surviving in prison. You're trying to eat, you're trying to work out, and you're trying to get through the day. You ain't designing shoes and you're not doing anything with the business. I mean, maybe you can. If they come and visit, you might say, why don't you make that shoe that we made? You know, that's about it. I mean, there's not much you can do. You're really, you know, sort of busy surviving. It's very, very painful.
Were you worried about your reputation at all or how did that personally impact you?
My reputation's been bad since I'm 15.
But do you, like, do you care?
Does it impact you? It's such a horror. It's a House of Horrors. There's a panoply of horrible things that you could think about during the day and you know, the people that love you are there for you. And that's. And, and that's it. I mean, there's not much.
You know, you can do except to try to stay active in prison in the sense that, you know, physically, mentally and spiritually sort of active if you could, so you don't die. So you don't, you know, just crawl up into a ball.
You have three children now? Yeah, two teen year olds, one 12 year old. How do you talk to them about like, hey, I made these mistakes. Like this is what I learned from it.
Well, I don't have that problem because it's in the movies.
No, I, we have no secrets in my house. We really, we talk about all of it. Because it's so silly not to. Because of, you know, that you can find anything out anyway. I mean, sort of would be silly, you know, and I went to prison. I made a mistake. I try to tell them not to take shortcuts and that money is not everything. And there's other things out there. I mean, I suppose we, you know, some of I have three. Some of them listen and some of them don't.
What can I say?
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How do you think that you were able to return back to Steve Madden after prison?
That's great question. And you know what? It's just because I have such a. Because I was forced to let go, I. I had a. A bunch of great people, great people loyal to me, loyal to the company, loyal to the vision. And so when I came back, it was just like, you know, they were rolling. I just let me in, guys, you know, they were rolling already, so.
But why do you think they let you in?
Because I love shoes and I love product. And I think ultimately, at the end of the day, you know, I'm not a deal guy. You know, it's not me, you know, really, I don't barely can read a balance sheet. I can't read a balance sheet. I don't know why I said I barely can.
And so. But I never had to because I knew that if I made a great shoe and people wanted it, I could get a lot of people to figure out the rest. You know, that was always my business philosophy, and it worked out well.
I mean, that kind of loyalty is crazy for you to go to prison for years, come back and they're like, like, get back in here. Let's build this thing. You have 2006. Your guys's revenue goes sharply, sharply up. How did you build that kind of culture within the company?
I think you got to have a really strong North Star. I know that sounds a little cliched, but it really. And if you have a singularness of purpose, at the very least, you must make great product all the time.
How do you address your team when you feel like you've made a mistake? And not necessarily around, like, the whole prison thing, but just like, generally, how do you talk to your team about things like that?
Well, I mean, I think people that were with me, you know, understood everything and understand that I made a mistake also was trying to raise money for the company and they bought into the dream. You know, you gotta have people that are buying into the dream. Some people don't, other people do. They believe in you, which is, you know, as I say, I realized that's the hardest or the, the best that I did for the company, as I think about it, was to have so many people believe in what we were doing and what I was doing.
You know, I always feel like being a founder is so interesting because it's, It's a constant battle of the ego, right? Like when the company's doing well, it's like. And I can't imagine, even for you, because your name is tied to the company. The company is you.
Yes.
How do you deal with the battle with your own ego and manage that in different situations as a company naturally has different ups and downs.
The struggle continues every day. Every single day. My ego, that is. I mean, you. I don't know how you even know this. I'm serious. It's. It's. You got to. You want to do something. You're impulsive. Obviously I'm impulsive. And we've got a billion. Multi. Billion dollar company, but you got to eat a lot of shit, and you got to. And you got to not. And you got to take yourself out of it. You know, Was this about me or is this about furthering, you know, the firm? I mean, man, that is such a struggle, and.
A lot of people lose that struggle. I've seen so many guys that just fall prey to that ego. And it hurts, you know, also when you don't really get what you get your way, you know, and, you know, you're up at night talking to yourself. It's just. It's just brutal. But if you want to win, you kind of. Kind of have to have a good group around you and you have to kind of.
Think about all those things.
You know, My dad always talks to me about, like. Well, now he's 70, so he's like. He wrote his book about his life. He's reflecting a lot. I get a lot of calls of reflection, which is great. I. I love it. When Microsoft was booming, he was on the COVID of Fortune magazine.
Yeah.
He would spend those nights, like, driving around by himself, scratching his head and doing the math of how many people do we have on payroll? And if the money stopped coming in today, how long do we have to feed their families and pay their salaries and would literally drive for hours at night, up and down like the 520 bridge in Seattle, just thinking and thinking and being so stressed. The outward perception of success isn't always the internal. What the person's thinking or feeling in that moment.
Yes, I feel good to hear that because I feel the same way. And then there's the pimples you get, you know, you have to be careful about that. But I'm just. It was a joke.
No, no, I. That's a real thing. That's not a joke.
But. But yeah, and it's, It's. People do not understand what that's like, you know, And I have it all the time. I still have it all the time. As you were telling me that that story, I was thinking, like, what. What's the end game at the end of the day? Like, what is. What are we trying to do here? You know? And the best thing is, for me is if I'm in an elevator and I see a girl wearing my shoes, it's just. That's it. That's the moment or when you, you know, I mean, obviously there's money, which is the language of America, you know, which is great, you know, and. But it's that moment on the street. It's when you're getting a Starbucks and you see them wearing your shoes. That's the greatest. That's the payoff.
I want to go back to something that you said that was obviously very funny about not not knowing how to read a balance sheet. But why I'm really interested in that is this idea of, like, leaning into your strengths and knowing what you're good at and then understanding where you need to resource hire other people. So I'm curious, when did you realize, obviously, you're a creative wizard, but when did you. I definitely creative pirate.
I like pirate.
But when did you realize you wanted to really, like, lean into your skill set of design? And then how did you figure out who you needed to hire around you to kind of support that?
Basically, I had this wisdom that was given to me. I don't even know where it came from. It was like, knowing what you don't know is a tremendous gift in business. And the other is, I met a guy and he said my business philosophy is, you know, he was spouting off. He had just sold his business, was do it for me, you know, And I. At first I rejected that thought, but then I understood what he meant. You know, it was really the same thing. That's been a central theme in my life. I knew. I didn't know numbers, I didn't know computers.
I don't really understand the Internet. I really don't. On a visceral level, I don't get it. I love TikTok. I love going on my phone and pulling the covers over my head and staying there for hours. But on a visceral level, I don't get it. But I have great people have young people in their 20s that live and breathe this stuff, and the same with numbers and the same with technology. So for me, it was like, make good shoes and make sure they sell and buy low and sell high. You know what I mean?
Very good.
Kind of basic shit.
Yeah.
And you guys are going to do the rest. Follow, follow behind me. Pick up after Me, you know, that kind of thing.
How did you find your first few really, really good hires? Because that's honestly so critical to the success of a business. That's definitely something we've learned, is like the team you hire is really the company you end up building. How did you go about finding those first few people?
Well, it's providential, you know, and you just get lucky. I've just been enormously lucky. And a lot of people have been with the company a long time and they started, you know, in the. At the bottom.
And how do you head hunt?
Well, we do. We have, you know, but early, early.
On when you're like, I suck at balance sheets, how did you find the person?
You know, I, I don't know. I mean, I suppose you.
Meet smart people and you ask them and they tell you, well, I've got this guy, you know, or I know this guy and who does this over at this company. And I'll go, let me go get that guy, you know, it's sort of like that. Of course, I've been in the shoe business my whole life, so I do know some folks and I do know some people.
So you ask for referrals if you're looking for a specific type of role.
Are you asking my, my. My voir dire? That's the French word for search. Yes, voir dire. I love that word.
Yeah, I guess you gotta find out there's all sorts of things you miss sometimes, too. The story of my success is that I've hired great people and been very lucky. That's facts. That's just the way it is. I've had a couple of misfires. You know, there's a couple of things in the culture of my company that you, you could, you could be very smart and not make it at Steve Madden. There's a couple of things at Steve Madden. One of the things at Steve Madden is you have to be busy. You have to be busy at Steve Madden. If you're not busy, you're fucked. You could be a brilliant person who, like, gets it done and then, like, checks out. It doesn't work. That's something I wish that we could do better at, but that seems to be like, you need to be like, you know, like three things going on at once. It just seems to work.
How did you set that culture?
I don't know what I did, but it just seems to, you know, I had this girl work for me once. She was very good designer. She is. Was very linear, you know, she was very talented, very linear. And she would finish her work and then she would put her head down on her desk and go to sleep. I swear. And she was very good, and she knew how to work with China, and she was really good. But I couldn't take it anymore. I'd walk by and she'd be sleeping on a desk to get out. You know, she was good, but, you know, it's that kind of thing. But in her mind, she was like, I did everything I said I was going to do. It's all done. Here's the work.
Why do you think you've become such a phenomenon with Gen Z after that really viral video that you have that was so crazy. You think it was crazy? Like, why do you think that young people are so drawn to you?
I think people are tired of bullshit. And we all did it. You know, we all couch our answers. You know, I'm gonna say this. I'm not trying to be inflammatory. I would say Trump's success is because of that. Mondami successes because of that. Obama's success is because of that. You know, and they're all three on all different stripes, so I covered myself. But I really believe it in my heart that those three guys have really spoke direct in Bernie in a way too, you know, and you ask them a question and they answer it. Whichever one of those three I don't like, we will save that for another time. But I will say those three guys that I mentioned, they really were straight. Particularly Trump and Mondami are really kind of direct guys. And so it's interesting because they're on different sides of the spectrum. But people are tired of, you ask a politician a question and they don't answer it. Like, just say.
It's like a word salad.
Like, what. What are you doing? Like, do you like this or not? Do you think this should be legal or not? Like.
And people just want to hear. They don't even care if they agree with you. They want to hear someone speak frankly. I believe that, you know, I'm not getting into the whole, he's genuine. Everybody's genuine in their own way. I just think that you just sort of answer questions and be truthful as you see it, perhaps.
Have you always been no bullshit, or is this like a recent evolution?
I think it's more recent. It's in the last. As I've gotten older and sort of don't give a shit as much.
Why?
I don't know. I'm not sure, but I tried it. Look, I've had so much bad out there, you know, I Went to prison. I was a drug addict. Hello. You know, those are kind of things, like, those are like death sentences, like almost, you know, but like there's Google and those old. Everything's out there. Like everybody knows everything. So it's like, yeah, I messed up. I went to prison and I'm back doing the best I can. And you know, it's like that. And yes, I took drugs and I drank like a lunatic and I stopped.
A lot of the creative geniuses of our times, yourself included, who like build brands, have struggled with addiction at a point in our life. Yeah, what is that?
What is that? You know, I even saw Martin Scorsese's documentary and you know, because it's such a great filmmaker, he just is phenomenal. And he did too.
I went, wait.
He, you know, like, oh, deed. He like dead. He was in the hot. Like, it's like, I can't believe it. It's a generalization perhaps to say that. But you know, you're creative and you're thinking on a lot of different levels and it's painful and you want to anesthetize yourself when you're not doing that. Do you know what I mean? Hemingway, he died of his own hand, you know, he took a rifle and shot himself in the head. He was this brilliant writer, fantastic. And I've always thought about that. That's not gonna happen to me. It must be. There's just so much. Can't handle it. It's too much for me. I just pull the covers over my head.
Come on, tick tock.
That's it. That's it. I do it. I know it's terrible, but I go on tick tock and it relaxes me.
How long do you scroll a day?
I'm a scroller, baby.
What's on your feed?
It's embarrassing. I don't even know if golf is on my feed. Mafia stories are on my feed. Mafia movies are on my feed.
You would love mafia movies.
Mafia movies.
Country music, you know, gossip stuff, you know, lot. Some politics, you know, a lot of politics. But it's, it's entertaining. I mean, I can't see another clip of the Godfather I'm going to shoot myself.
And they, they also think that I, they, they give me a lot of Beatles. So I want to like boycott the Beatles, you know, they must, I don't have. I do love the Beatles, but I can't see John and Paul talking anymore in a clip. I can't do it. I'm gonna kill myself.
Do you ever get content of yourself? Do you look.
Oh God.
Oh, really?
No, I can't listen to myself. I can't. I did like the cutting room floor. Cause there were little cuts and I was like, you know, that's not so bad.
Well, that was the really viral interview. Yeah. How did you feel about.
It was so good. And she was so great, this girl. And I didn't want to do it. These two over here dragged me in and was like, oh God, what are we doing here? She would ask me like, how did. Why did you copy or did you copy the Chanel shoe? And I went, I think I was tired. And I went, yeah, so. And everybody went crazy. And I mean crazy. I mean, what was I going to do? You know, that's the thing about just speaking the truth.
What happened after the interview? Did anything functionally change?
Did anything change? Yeah, I mean, everybody. I go to the grocery store and I got four pieces. People stopping me.
Did anything change? Yeah, I'm famous now.
It was a gas. It was really great. It was fun and it was. There were fun clips and they were true. And.
You know, people, it's okay. I don't care about the, you know, being recognized stuff. It's. It's fine.
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Another hot topic. You've talked openly about tariffs. How do you deal with adapting such a large scale business when new foreign.
Policy comes out, I think the tariffs. Excessive tariffs are Awful. I'm paying. The other country's not paying. So that's the first. It's just not true. You know, it's just not true. We're paying and we're. And we have to at some point pass along some cost to our consumer. Has to be. Otherwise we're out. The girl that walks into Bloomingdale's or DSW or Nordstrom's is paying more for my shoes. She's being taxed by the tariffs. That is the truth. It's maybe well meant, but I think it's dumb. I'll tell you why it's dumb. Oh, these guys are smart guys. They, you know, these guys that came up with it. I mean, they went to good schools and stuff like that. You're never going to bring shoe factories back to New York. You're just not going to do it. It's not happening. You're not going to bring a lot of things. You know, yes, there's some furniture made in North Carolina, but, you know, you're getting better products for less money. And you're, and you're really. It's anti capitalism, frankly. It's anti capitalism. You're supporting bogus companies with tariffs. I'm a capitalist. You know, this whole thing of he's a socialist, he's a capitalist. You know, I like both. I think that we've had a great run in the manufacturing world, bringing great products to America, really great products for people. And I think we're really tampering with that now. And.
If it's to bring back industry, it's not going to work. What makes industry great is speed and ingenuity, or ingenuity and speed, whatever. That's what's going to make America have more, make more stuff. Speed and ingenuity. And if you're tampering with that sort of sacredness, I think, I think it's just a tax on middle class, you know, lower income people, frankly. And the rich seem to be doing great in America. They really are. What can I tell you? I don't want to step over people while I'm going into a restaurant, you know what I mean? And well on my way to the grocery store, you know, I think tariffs are awful. I think maybe you could have some tariffs just because they ain't. And the notion of them reducing the deficit is such a lie, you know, oh, we got trillions of dollars, so such bullshit. It's just not going to work. We're not going to make one more shoe in America or make one sweater, not one or One pair of socks. It's not happening, you know, and I. And I have my own sort of philosophy about it. And I talked about it on the putting room. And as societies evolved, different jobs come in. Internet jobs, design jobs, all sorts of different jobs. Instead of working in the sock factory, you're working in the social media department. You know, I mean. I mean, maybe I'm being too sort of simplistic in my thought.
No, I agree, because it's really isolationist, a lot of these policies. The reason America succeeds is because the smartest people from all around the world want to come here. Why are we icing that out and making it harder for us to produce cheap goods and making us harder to get good talent.
I agree. The. The American automobile industry, it should be like my business. They should make cool cars to make fucking cool shit that people want to buy. And I think for a long time they didn't. And the European cars were cooler. I don't think it was a matter of unions or a matter of this, you know, tariffs. It just make good stuff. They're gonna figure out a way to buy it. So that's what I believe. That's my philosophy. And I hope that. That it changes.
And on this kind of notion and topic of evolution, obviously very timely. AI has been changing pretty much everything. I'm curious how that's impact fashion at large and like, what your thoughts are generally on that.
It's not my thing. So I just want to. I just want to say, but I'm a small part of my corporation, you know, it's not my thing. I ain't designing shoes by AI Ain't gonna happen. Although I'm sure that maybe Nike will or something or, you know, they're much more. And sneakers are much more complicated. You know, I don't need to do that, and I don't really want to do that. That. It sounds dreadful. It sounds like the end of days to me.
So do you?
No, but it's great and people love it. I just want to say that I go on my phone and try to play music. Like, I'll play. Like, play, play, go your own way by Fleetwood Mac and something from Led Zeppelin comes up. So I'm a little sour on the AI thing.
What do you think of AI models?
What does that mean?
Like, when someone, instead of using a real model for a campaign, uses AI you know what?
That drives me crazy. I don't know what's real and what's AI they're doing all this stuff like, you know, the President Kennedy like playing guitar and all this crazy, I don't like that. And some of it, you can't tell what's true. You know, love, you'll have Trump or somebody or you know, Brad Pitt saying some crazy stuff and you go, oh my God, Brad Pitt just, just said something crazy and it wasn't Brad Pitt.
But do you think we get to a point where, like, I mean, speaking to your point about capitalism, where it's going to be more efficient for fashion brands to do shoots once these models get realistic enough without paying for a big time model, without paying for a set crew? Like do you think we get to that point in the next like four years?
I'm sure it will have an effect on things that I cannot comprehend. The notion of me creating with AI is not a non starter for me. But I do acknowledge that it's, it's a very sophisticated thing and perhaps it's in, it will, it will impact my business in ways that I cannot comprehend. I've seen that before in so many, so many things. And I'm sure the Hollywood has to grapple with that. You know, like if you're an actor or a writer, as an artist, the notion of somebody doing that by a machine is, you know, it's just so counterintuitive. You know, it's so awful.
I mean, less like the design side, but more even like once you design something like the model with the hand, the handbag on her shoulder.
Yes, in ways that I cannot comprehend. It will happen, but it spooks me a little bit. But of course a lot of things spooked me. I didn't understand and then I understood it. I mean, I was making fun of people on TikTok and now I'm going to the TikTok Olympics, you know, I mean, I love it but you know, you know what I'm saying, that does happen.
I want to touch on something briefly that you mentioned about like the stock market. Your guys stock jump 16% a few days ago. What?
I think they heard I was coming on your show.
Probably, definitely. But I'm curious how much does stuff like that impact you and what do you think you guys have done over the last few years that has set you up for success?
Well, we have a great CEO. That's not me. That's one reason why the stock is up. It feels good when your stock is up. Yeah, feels great. And it's a funny thing because it actually doesn't really matter in my life. I'm. I'm wealthy man today. So if my stock Goes up three points. I'll be wealthier, but. And I'll feel like maybe, yeah, you know, I'll buy an extra candy bar or something. But in fact, it doesn't. But. But the important thing is that we do well as a company. And it will. It's kind of like that's the end result. So that's. That's good. And it does feel good. When you see plus $1, it's like, whoa, I did something good today.
What do you think are the biggest driving factors behind what is currently making the business successful today? Is it the design side? I'm curious how you evaluate that.
We have a lot of businesses in. In the same sort of sector, but I mean, we. Steve Madden as a brand is doing very well. People like the brand and they talk about it all the time. So I think that's impacting the stock. It's just a simple sort of thing.
Is it the dupe culture?
It could. It could be dupe culture. I don't know. It may be.
Could be. Because I was curious, you guys sued Adidas right around, like the.
Oh, that's just silliness.
It was silliness.
The whole thing is silly. First of all, Adidas is. They're great.
Yeah.
I want to say the shoes are great and. But I think that they own three stripes. And then they tried to say they own four stripes and five stripes and two stripes. And we said, you know what, you.
Guys, back off the fucking stripe.
Back the fuck up.
So back off the stripes.
We need the stripes. Yeah. I think that's all that's about. I'm a big fan of Adidas and I don't even know, actually, but I know it's stripe related. Conflict.
No, it was stripe related.
Stripe related.
Our business is essentially a shopping advisor. So as they're shopping, we'll show you what size you should get, what the return status is, reviews. We'll also show the secondhand retained value or secondhand alternatives. How do you think about, like the secondhand market in terms of impacting your business?
I never think about it. I just don't think about it. And you mean like thrift stores?
What we found is a really interesting insight is like, if people know that an item holds value secondhand, they'll be more likely to actually purchase it. And it's interesting because, like, Steve Madden holds better value than like a Zara item or another comparable brand. So it's interesting.
I never think at it. I just try to make good shoes that are good for the moment and good for the, you know, the kind of time we're in and I just never think about it. I don't. I do go to thrift stores now, go out with my team and I see Steve Madden and it's like, what, what's that doing there? You know, I don't, but I know it's a tremendous thing. People are always buying great stuff, you know, clothing and stuff.
Are there any trends you really like right now?
I'll tell you the trend that I really like is.
What you're wearing is the short dress or the skirt with the boots. That's to me. And it's something we've always, we've always loved and it's never been great. We used to make cowboy boots in the spring and we'd say we love this look. It just never happened. And now it's actually this look that we've loved in our company. You know, like I like the whole whole dress with a cowboy boot. I love that and I always have and now it's actually working.
What's your fashion hot take right now of a trend you absolutely hate that other people like.
I hate socks with sandals. Hate them. But they're selling. And the other thing I hate, it's the hottest shoe, is the shoe with a split in the toe.
Oh, I hate that thing.
Oh my God. And they, we had these meetings, I said get that shoe out of my face and. But it's really selling. But boss, it's really. I try not to make shoes I don't like but every once in a while they sneak one in on me and I just saw a boot with the split toe. Yikes.
And is that why you don't always love dupe culture? Because you have to keep up with the.
Well, I don't like that and I never liked that shoe. I mean we have a big company today and we're making shoes all over the world for everyone. All over the world. Africa. There's Steve Madden stores everywhere. So things get out there. But that one in particular is horrific. And people like wearing socks with sandals and I can't criminal stand it.
How would you break down in terms of your guys's revenue? How much is shoes, bags, clothing? If you were to say like is shoes still 90 of it? How has that evolved over time?
A lot of shoes, some bags, some clothes, making clothes, we're doing very well. The clothes in the bags are growing daily, which is really cool.
Do you work on designing those?
No, no, I'm a shoe man. I'm an old time shoe man. They show Me, Stuff. Stuff. They pretend like what I say matters. They run it by me. We have great people in there.
How did you find jeans?
Every day I'm actually wearing black jeans, which is like, whoa. I'm like, really? This is my. Yeah.
For young entrepreneurs breaking into fashion, what is your piece of advice?
Oh, God. I have. I have. The shirt is pulling up here. Let me pull it down. The. The big thing for me is. And what I. What I'm thinking of lately is to get some experience in the. In the. In the. In the profession. You know, too many people, like, just want to start and want to go into their own business, and they don't know anything about the business other than the fact is they want to win and they want to make a lot of money, and I give them credit for that. But if you don't know the business, like, so I would say, like, if you want to go into the clothing business, work a year in Zara. Easy to say, but I did it, you know, I worked in a shoe store for two and a half years, three years, you know, on the stool, horrible job, combat pay. And there's just fundamentals that I learned and I same the restaurant business. You know, you could be a waiter or a cook or a busboy or whatever, but you learn the. You know, I believe in that deeply. It sounds cliched. I really believe in that, so. Or, you know, I believe in mentors. I really do. That's another thing that. And I've had mentors myself. I think if you're a young kid and you can get in a company and work for somebody that's really cool and smart and just do whatever for whatever. Many years, couple of years. I mean, when you're 24 years old, what's three years? You know, if you think about it, in the scope of a career, you know, that is the greatest training. If you can get with somebody and. And work for somebody that really knows what they're doing, and then when it's your time, certainly we want everybody to do their thing. You know, I'm. I'm cool with that. I think that's another thing that people don't do enough of. I think it's a gift, if you get that, that it's okay to want to replace your boss, but you got to know some stuff.
I love that. Do combat pay first.
Yeah.
Steve, thank you so much for coming on. I've learned so much from this no episode, and we look forward to having you again.
So much fun.
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