Sketching Spokane : Steam Plant Stacks

Hello, happy, um, September 18th, Wednesday, 9:30 PM here in the awesome Garden State. Hope you're doing well. I have not been here live for a while, I guess, um, maybe at least a week, so it's good to be on here. I wanted to pop on for a half hour before I head to sleepy land. Um, sketching is a great way for me to change my state of mind. It's been a crazy busy day, a lot of stuff going on, good stuff. Um, yeah, so I just want to shift gears and kind of wind down for the night. So I'm going to do a little sketch here that's inspired by the steam plant factory in Spokane, Washington, which I was there this summer and got to see it. Really interesting place for sure. Let me see if I can drag this on here. So this is, uh, just kind of the reference picture I'm looking at just to loosely base a quick sketch on. So join me for a few minutes here and let's do some sketching. Feel free to ask me questions, comments. I always love to know who, who's watching. Out there. Awesome. Let's move that. So I am using what I basically start my sketches with is— this is a watercolor pad. It's 140-pound paper. I'll show you the COVID So it's 1264 Fabriano. I really like this. Is, um, this is like my go-to kind of sketching paper. And then I also have— never leave home without it— I have a Sharpie. I— 90— I'm gonna say 95% of the time I start with a Sharpie. Um, so we got my Sharpie here. I have some other things as well, but we'll see how far we get. It's only going to be a quick sketching session. And yeah, feel free to say hi in the comments. I always love to know who is out there in I was gonna say TV land. Who is out there in audience land? All right, let's just do— I'm gonna start off with sketching a frame on this sheet of paper. I haven't done this in a while. See, I'm just gonna sketch a little kind of rough box that I may or may not stay in. Most time I don't usually stay in it 100%. Just kind of a starting point here. Hopefully you can see that too well. I don't know if there's a big glare on the screen. So we're going to do perspective. I don't measure my perspectives. These aren't to scale. I'm not using any mathematics. I'm just kind of looking at the photo just loosely sketching what I'm seeing. The— for me, one of the most important things about trying to capture a perspective and sketch are the angles. We have this kind of angle happening here for the building going back, and you'll see as I add some more to it, I'll keep playing off the different angles here. This is going to come down here a little bit more, and then we're going to draw one of the stacks of the steel— not the steel, the steam plant here. So we got a stack kind of rising up here. It's pretty big, pretty tall. We'll bring it down here a little bit. We got one in the background here. This is actually probably going to go off the page a little bit, and that's cool. We'll sketch this one. Hey, I see D-Ray is watching. D-Ray, awesome to, uh, see you. Hope all is well. Thanks for tuning in. Great to see you over on the YouTube side of things. That's so cool. I appreciate you. D-Ray has been watching and following for a very long time and is— you are always so supportive and I appreciate your positivity and your comments. So thank you so much. So cool to see you. Let me zoom in. Let's see if that's a little better. It's going to crop some of it out, so we'll just stay— we'll stay, uh, not out of focus. We'll stay at a distance. Oof, my brain is tired. I have tired brain, which is okay. It's all good. We have this kind of bridge crossing here that's connecting, um, it's connecting the building. This actually, I think, is the— over here, I think we have an elevated train track on this side. So this bridge is connecting to that structure that has a train track on side— on side? On top. Told you my brain's tired. Hey, Chip's in the house! Chip, it is It is so awesome to see you. Chip is, is amazing, peeps. I appreciate you, man. When I get tired, I can't talk. Does that happen to anybody? My students would probably enjoy that if I didn't talk so much. So we are If we are, um, back to school full swing, that's one of the reasons I'm so tired. I put so much energy into teaching, it exhausts me, um, just because I really love what I do. So I try to pour all my whole, whole being and soul into teaching every day. And teachings are— it's pretty physically demanding. Something I never— I just didn't know until I started doing it. I rarely sit down during the day. Um, today was one of those days where I actually did sit down at the end of the day and sat down probably the last like 10 minutes of class for the whole day. I just need a little break. Why did Outlook just open on my computer? That was weird. I just lost a photo I was looking at. It's all good. I think I have enough to keep going. So I like this kind of stacks happening here. I think we'll throw down some color before I wrap up tonight. Got enough outlines happening. This is a really cool kind of window happening. Again, I'm doing the angled lines here. They're not horizontal. Let me zoom in. They're more at an angle just to keep the idea of perspective things are coming back to a point, a vanishing point or focal point in the distance, somewhere back in here. So anything I want to go back to that point is angling towards it. There are perspective masters out there who can accurately create perspectives to scale. And that's pretty awesome. I am not one of those guys. I'm just creating the idea of a perspective. I just want to give a sense of depth and things going into the background. So here's an example. I'm going to draw a window here. So notice the top of this window, I'm going to kind of have it at an angle. I'm going to just pull it down. And the bottom is going to be an angle too, but not quite as steep. I'm going to exaggerate it. This is going to be steeper. That's not as steep. And then I'm going to draw another window here, but it's going to be bigger because it's closer to us, and it's going to make it look— give this a little more depth. So let's just say there's a window here. The angled lines are kind of following each other at the bottom of the window and the top, but I made this one wider and this one's a little smaller. So that just creates the idea again of depth, right? It's bigger in the foreground, it gets smaller in the background. See, these are just some quick perspective tips. D-Ray says tired brain. I know what you mean. Yeah, right? Let's throw down some color. I love color. I have been enjoying it. Let me, let me bring these out. Usually I don't break these out. I'm gonna mix it up, actually. Usually I'll either start with watercolor and ink, throw that down But I'm gonna just play around some of these, um, Sharpie Creative Markers. I am loving these markers. Um, I save some money up, I'm gonna buy the, the smaller tip ones. These are the bullet point tips. Um, loving, loving these. Actually, they're bringing them into school tomorrow, so good thing I remembered. So let's just pull a couple colors out, throw some color on there. See what happens. One of the things I like about these markers is they, they're fairly opaque. It takes a couple layers to make it solid, but there's no shaking. It just goes right down. So I'm gonna kind of sketch with these a little bit here. Keeping the lines really loose. I'll zoom in so you can see it better. You can barely see some of the Sharpie underneath, but so when this dries, I can come back and pull some line work out with Sharpies. I'm going to play around with adding ink and watercolor on top of the Creative Marker. That I haven't tried yet. Usually I'll throw the markers on on last along with color pencil. I'm really— being loose. I'm purposely not coloring everything you see. I'm just kind of coloring some areas randomly. This is brick, brick on this side. So you can kind of see that how this is coming in and this is coming in, it's kind of framing what's happening here just by having the red on both sides. Um, let's see, I'm actually going to pop in blue. For the sky, but I'm going to do a scribbly sky. So this is a scribbly sky, is a really quick way for me to show skies in the backgrounds. So just kind of, if you watch along, you'll see, uh, what I'm talking about. I just have to watch out not to smudge my hand. She got some scribbly sky there. Let's do some scribbly sky on this side. So I'm just mixing it up a little bit. So a couple of things I'm doing differently: I've started with these Creative Markers, something I would do normally last. And Scribbly Sky is, uh, you rarely will see me do a Scribbly Sky, especially this color blue, but I had it here. So I'm just doing some grab-and-go sketching, which for me is I just literally grabbing what's within arm's reach here. It keeps the flow going. If I stop and think, hey, oh, I gotta go get that marker over there or that highlighter. It'll slow down the creative flow I have. So I'm just kind of grabbing and going. If you look at my desktop, it's actually pretty messy. I'm just going to scribble around the top of these smokestacks here, these chimneys, just to pull them out a little bit. So there you go, we got like scribbly sky. Um, this is what I'm going to call the ugly duckling phase of sketching. Whenever I sketch, paint, there's always an ugly duckling phase. Like right now I'm not dig— digging this, but my brain, I've already trained myself to know this is that ugly duckling phase. You gotta keep working and it'll just transform. I'll show you this example here. This is one of my most recent ones. The first thing I did here was I kind of just threw down these splotches of watercolor and ink, and then I started adding some lines, and I wasn't really crazy about it. Then I came back, added a little more to it, and then it just kind of morphed and transformed. So always press pass or Push past that ugly duckling phase and you'll be surprised what happens. So I think this turned out to be a really, really, um, cool sketch of the Brooklyn Bridge. So don't give up too easily, just keep moving forward. All right, let's throw down some marker before I wrap up. I'm going to wrap up at 10 o'clock. Um, let's throw down some watercolor and ink on top of this and see how that works. So I have some— I have my watercolors here, my brush. Boom. Hope you guys can see this. Let me know if the— you can see the image on the screen okay. Should I zoom in on it? And then I have some ink here as well. So let's throw down some ink first. I have some Apple Snail. Love this color. D-Ray says ugly duckling face. I just thought you were really tired. You are funny, D-Ray. You're hilarious. Um, I am, I am really tired. You're funny. What am I doing? Put that on that side. Silly. Just trying to reach across to get to the ink. That is a disaster waiting to happen because I'm sure I would spill it. Let's prop this up at an angle. I like to have my sketch at an angle when I'm adding ink or watercolor. We'll let some colors bleed down a little bit. This is going to be really interesting to see how this one ends up. D-Ray, you might be, you might be right. I just might be really tired. No, it'll come together, trust me. Not today, because I'm going to come back and I'll hit it again probably tomorrow after it dries. Turquoise. Got to, got to grab the turquoise. Love me some turquoise. Or is it turquoise? Turquoise. Turquoise, right? Just going to skip this song. We'll listen to this one. So I'm going for kind of a real industrial grunge vibe. With this one. That's my intention. Lots of times I'll set intentions and without expecting an exact end result of what I want, what I want it to look like, I'll set an intention. So my intention, I'm just going for grungy, grungy time here. If it ends up looking grungy, I'll be happy. You can see how we lost some of the line work here from the stacks. Everything's kind of blending. That's when I'll come back and we'll— I'll break out the Sharpie and we'll bring some of those lines back to life. It's just part of the process. Things will disappear, you can bring them back. I'm going to leave a lot of white space here. I need some yellow on here. So one of the things I definitely want to work on— I'm not digging that sky yet. It's definitely ugly duckling phase. So it's going to give me a fun challenge to, um, take it to a place I like it. Did you notice how I phrased that? It's going to give me a challenge. I didn't say I'm going to give up, I can't stand it, I'm going to throw it away. I'm going to let this challenge me to figure out a way to bring it to a place that makes me feel good. It makes me smile. That's one of the cool things about just kind of sketching on the fly, painting on the fly, um, or the challenges that come up. So I'm actually starting to like this a lot better now. Hey, Linda S is in the house! Linda, how are you? So awesome to see you. Hey, DB's in the house! Great to see you also. I love when you guys pop on here. I've missed you all so much, right? Um, I saw pink somewhere in the comments. Add pink, I think DB said. Add some pink. Oh yeah, you know pink will be coming out at some point. You, you are in my brain. I have my two— I have actually two neon pinks right here next to me. Love that. All right, cool. I'm gonna come back and bring out, uh, bring out some of these lines with the Sharpie. We'll see how this goes. I'm also eyeing up this Sharpie gel pen I have here as well. So you can kind of see I'm just tracing over some of these lines. You'll see here when I pull this chimney out. Here's, um, I don't know, I may have shared this tip once or twice, but I actually like sketching, um, well, you know, I like, you know, I like Sharpies, but This one's getting fairly dried up, but I actually like when the Sharpie's getting fairly dry because it kind of forces me to push down a little harder, kind of wiggle the pen around a little more to get the ink out, and it just creates an interesting, um, interesting line work for me, right? You can see how it's kind of really wavy happening. And I'm going to give some contour lines, contours, just to give some curviness. Curviness, is that a word? Curviness? What would be the word, guys? I think it's curviness. I'm gonna get some curved shapes to, um, these stacks. There you go. Hey, Becky's in the house! Becky, great to see you. I love seeing you guys pop on here. I— it's, uh, so awesome. I have missed doing some live streams. I've just been so tired from school and I've been kind of lazy and just not wanting to come on live, but tonight I'm just— I'm kind of pushing myself tonight. I just want to be here and, um, with you guys, do something creative. So I really like this, it's starting to come together now. We're bringing it back. The sky is still— I'm not sure what I'm going to do with that sky yet. So that was the Posca— not the Posca pen, that was the Sharpie Creative Marker. Becky, was it you that talked about the Creative Markers? It was you or Patty, I can't remember. I can't remember which one of you had— we're talking about it. And no, they're— I mean, I've been using them, they're actually pretty cool. So thank you, and thank you Sharpie for inspiring me on a different level. This is some kind of metal panel that's in front of this bridge. Let's break out the Sharpie gel pen. Let's see how that works. Sharpie gel pen, I like it because it can write on damp areas. Whereas the Sharpie marker does not really do that. The, um, regular Sharpie— there's so many Sharpies, I can't keep track. I can't keep track of the Sharpies. Let me just pull out some of this here, pull out some of these doorways happening. There's a kind of detail happening here in the cornice of the top of the building. There you go. I want to pop this bridge out with shadows underneath, so I'm waiting for it to dry a little bit. We have some kind of like fences down here and barbed wire. It's a pretty, uh, this is like an alleyway. Got some like barbed wire stuff happening there. Oh, you can't see it. There you go, my bad. Patty, thank you so much. Let it go, Jason. Curves, curviness. I know, right? And there's a, there's a kind of a bridge back in here. So here's a great example of how this Sharpie pen goes, writes on wet areas pretty well. I'm literally just gonna do hatch lines here. This is a bridge in the background connecting two pieces together. We got kind of a railing here as well. So that worked pretty well. I got 2 minutes. I might extend it for— I might extend it a few minutes here because I am actually just changing the tunes here. Let's pull out this bridge here a little bit darker. Um, let's see, there's some windows here, but I think I'm going to leave them out actually. I'm going to add some texture on these smokestacks, and I'm just using a red Pilot, um, Precise Pen right now. Adding texture is a great way to separate different elements, um, in architectural sketch. So these stacks are brick, and I'm not drawing every single brick. I'm just adding some kind of random vertical lines to give the idea that there's a brick happening there. How cool is this, guys? Check this out. I love the way this looks right here. I love that hard edge. That's awesome. Same thing over here. I'm loving kind of the hard edges here. We'll zoom out so you can get a bigger picture of it. Chip says, uh, it almost has a pop art vibe and feel. The choice of colors drive that mood. Love it. Hey, that's so cool. Thanks, Chip. That's so— that's so cool. Yeah, it's probably the Sharpie markers, right? The creative markers. Let me know in the chat, what do you guys think of the blue sky? Yay or nay? I'm really curious. Becky says, I keep forgetting what day of the week it is. Oh my gosh. Yeah. It's, uh, Tuesday— Wednesday. Today's Wednesday. See how I forgot? It is Wednesday. Yeah, sometimes it's like one long day that never ends, um, which is okay because sometimes we have these days that are amazing and we don't ever want them to end. DB says, I like the blue sky. Okay, we got one for yes, like the blue sky. This needs, um, this needs some black. You know what we're gonna do? Let's break out the black Sharpie marker, creative marker, play around with it. I think I have a black one. Oh, maybe I don't. Yeah. I want to punch out some of the windows and stuff and just kind of make them black. I want to zoom. If I do this, it's better. I'm trying to get a good zoom for you guys. Maybe that's cool. Just want to punch in some of these window kind of panes. Yeah, I wish these— I wish I had a finer point with these markers. That's on my, um, that's on my wish list. Let's see, let's add— I'm gonna put this down. I'm not, not digging this, the black marker. I'd rather use a Sharpie and shade it this way. Oh, did I run out officially of the ink in here? Uh-oh, this marker It's leaving me. The marker is leaving me. It's going to the, the great marker place in the sky. That re-marker-able place. That remarkable place in the sky where our beloved markers go to rest up. You have done me well, Mr. Marker. We're gonna get every little last bit out of you. Let's add some hatch lines, give some curvature to our stack. See what I did there? Let's zoom in, you— because that was not seeable. Let's do the same thing here. Let's bring down those lines. I'm going to bring some down in here. Maybe this isn't some kind of shade here. There we go. I'm itching to shade underneath this, this bridge here to give it some, some depth. It's not dry yet, but I don't want to use my, um, I'll do it. I don't know if I want to use my gel pen. It might be too dark. Let's see. I hold it really light. All right, there we go. I'm just kind of hovering the pen tip gently above the page and letting it gently go down and just doing light horizontal, um, light diagonal strokes across here because I don't want it to be a solid black. I like the space underneath for that shadow. I like the colors underneath to show through. It keeps that loose look I go for rather than coloring it all black. So I think that worked. I do want to pop this railing out, so I'm going to go over that. Let's pop the rail out here also. So I think that kind of made that bridge— gave a little depth to it, right? Pretty cool. Chip said I would like a grayish sky. Okay, grayish blue sky makes smokestacks pop. Becky's saying yeah, a blue marker for sky. Gray would give an urban grunge feel with pockets of muted black. All right, I love your feedback, guys. You are awesome. My gut, my heart is telling me I need to do something with the sky, so we're gonna go for it. Um, gray was an interesting way to mute it down. I have— I do have a gray marker I can use. Um, I also have this color pencil. This is— this is called Sky Blue Light. This might help to tone it down a little bit also, the pencil. So let's throw some pencil on there first. Let's just zoom in, we'll focus on this area. So it's kind of toning it down a little bit, which I like. Zoom in so you can see it better. I'm doing the same kind of scribbly swirly technique on top. And then let's also take a look at how the gray marker looks. Oh, you know what I have? Actually, hold on, I have this here. I have some of these, uh, Tombow markers. Uh, I'm like— I think I'm liking this actually. These Tombow markers. Maybe I'll go with this look, just kind of bring it out a little bit here. All right, one more song, then we're going to wrap up. So let me put one more on here. Mm, which one? We'll do this one. Uh, let me check the lighter gray too. Let's see what that looks like. No, that one you can't really see, so let's go back to this one. I'm actually going to run this marker here to help create some shadows. It will do under the cornice here, give it some depth. I'm liking this actually, using this marker for shadows. Let's try it under the bridge also. Oh, so I know I said I wanted to see some of that color show through. I just kind of just went over it. It's all good. It's about being playful, trying different things. There you go. Storm's brewing. Yeah, in that sky, you guys are going to think I'm crazy, but I am going to add some orange in that sky. Yep, I just said I'm going to add some orange. I have this, or I have this orange. I have an orange highlighter here. Let's see. I'm not liking the highlighter. All right, you only live once, guys. Cool thing with these creative markers, you can go back over Change the color if you want. I felt like I just needed one more color on the sky to kind of tie it together, and I'm not going to go too nuts with that orange. Cool. I, I'm liking the orange. It's kind of tying the sky in with the orangey colors that are happening here. I'm pretty happy with it. So for me, I am definitely beyond that ugly duckling phase that we talked about. This is really a play in— play in layers, just layering stuff on top of stuff. It's kind of addicting. It's like, when do you stop adding to it, right? I do want yellow. I do want yellow on here. I'm missing some pops of yellow, so Back in the marker mode here. Where do I want some pops of yellow? Maybe some of these window areas. Oh yeah, this is— I'm really digging this now. I'm glad I stuck with it. Thank you guys for your encouragement and your support. Um, yeah, just gotta go for it. I'll zoom out so you can see it better. Sorry, I was off screen a little bit. All right, let's look at the final— some final, uh, comments here, and I'm going to wrap up. White, uh, white gel pen could add stars. Ooh, Becky. That's cool. So I don't have a white gel pen over here, but I do have— I do have a white marker right here. Cool idea, thank you. So I'm just, just dabbing this, um, marker down. What am I doing? My, my brain just told me to put some white on here. I'm not sure why. Let's do it. I'm not gonna fight it, I'm gonna go with it. Sometimes I think we fight our— we fight our creative brains too much instead of just embracing what it's telling us and going for it. In that battle, that battle can be tiring if you keep fighting what your creative mind's telling you to do. So it's not always easy to resist giving in to that, but if you just go for it, it usually will pay off. That's what I find. I like this, the stars, that looks cool. Your pumpkin paintings have— has Payne's Gray stems and shadows because that's the way I am. DB, I love that. Just bring you guys, bring you to your creativity. That's what it's about. Chip says, I'm loving the left side of this orange and red lines of texture. Yeah, where's my frame? We always have— we always have a frame nearby, right? That's the white one. Where is my black frame? The heck? Where are my frames? It's been too long. I don't know where I put my frames. They're usually in my second magic drawer down here. Yeah, where the heck are, are they all? Uh-oh, my frames are all MIA. They have to be somewhere. I don't know where I put them. Oh well, I don't know where my frames are right now. That's really weird. But yeah, so Chip, I'm digging, um, what you're saying. I'm liking— I'm liking this happening here as well. That's pretty awesome. Yellow with dark blue, starry night. Jason putting the mix in mixed media tonight. Yeah, it definitely is very mixed. I love doing mixed media. Uh, one thing I didn't really throw down yet, and the last touch will be— I'm sure you guys can guess what the last touch will be. Ta-da! We gotta throw some pink on. As I'm throwing down the pink, let me know if you have any final questions or comments or any words of wisdom you want to share with each other. Maybe some kind of positive note we could all end our days with tonight. Tonight. All right, cool. Let's throw some pink on here. So we got some there. One, doing 3 places. I feel like I could use some, some down here somewhere. 2, and then we'll do 3. I wish I had those frames because I really want to crop this out. This is driving me cray cray. Let me check, let me check one more time. Aha, they are in the third drawer, not the second drawer. What the heck did I do? All right, let's put a frame around this and see how, what, how much it pops. I gotta throw pink down in one more place. My brain's going up here, my hand's going up here. We're gonna do our pink right here. All right, cool. All right, let's zoom out, put a frame around, and wrap up this bad boy. Um, a couple different sizes. Here we go. Oh yeah, do I need to zoom in for you guys? Let's see. No, I can't fit the whole thing in, can I? Give me a sec. We can kind of get the gist. I have to adjust the height of my camera here next time. Look how that pops though, right? It's pretty cool. Let's shift it over. I'm— I like what Chip's saying about the left side. I'm not really digging this right side, so I would crop that out, shift it to the left even more so like this. I'm cool with that. Let's zoom it out a smidge and let's bring it down this way. There you go. I think that's a really cool way to frame it right there. Becky's like, mixed media is my jam too. Yeah, I am all about the mixed media. I get it, I so get it. It just feels more playful and creative, and I can break out all this stuff, all the stuff that a lot of it's been sitting here. How many of you guys have art supplies that are sitting there and have been sitting there collecting dust for a long, long, long time? I am so guilty right here. I have tons of stuff sitting over here I have never used in my closet. Um, it's fun to break it out and play around with it, right? That's why we have it. Same thing with paper. We have paper to, to draw a sketch on it, right? Paint on it. Don't be afraid to use that paper up. Could always— we could always get more. Um, all right, final comments. Jason Nicholas putting in the mix. Oh yeah, we said that. Sorry, my nose is really itchy. I have the heater on here. I think it's just dry heat. So the painting looks like a lady coming out of a nightclub. What? That's interesting. Um, where, where the heck is that? I love that you're saying that. How cool! I just love what you're saying, that you're seeing that. That is really awesome. Um, where's your frames? In the other left drawer. You are funny. You are so funny. Fabulous. It looks cool, right? Cool is right. Definitely shift left. Yeah, right, I agree with you guys. I would even, I would even argue to shift left even more, um, although I can't because the page ends there. That's as far left— Lyft? Yeah, it's time for bed. As far left as I can shift the frame. Try saying that fast. It's as far left as I can shift the frame. As far left as I can shift the frame. Right there. Height-wise, I, I like it lower. I feel like I don't need to see the top of the stacks. I want my imagination to tell me where it goes, so probably somewhere right in here. Um, Lady at the Bottom. At the bottom, she has long black hair, wearing black dress off the shoulders. Long black hair at the bottom. Why am I not seeing this here? Let me zoom in. All right, I gotta— we gotta— I gotta see this before we hang up. Do we hang up on YouTube? I guess we do now. Um, I don't have any hangups, do you? What? Yeah, I get— I'm getting punchy. Um, where is it? Is it here, guys, where you're seeing the lady? I might have to step away and take a look at it. I'm not seeing it yet. Yes. Oh, so right here, a lady stepping out of a nightclub, black dress, off the shoulders. I think it's cool that you guys are seeing this. I'm probably have to step away and relook at it tomorrow morning. I'm, I'm still not seeing it, but that's what's really cool about loose, loose style sketching is that you guys, everybody can see something different in it. Because it's not so rigid, not so technical, not so precise. It has its own kind of magic, its own kind of poetry. You can weave your own, uh, words and meanings into what you're looking at here. I'm trying to sound deep and philosophical. Is it working? Um, yeah. Your eyes are tired too. Oh my gosh. Yeah, I've been at it since, uh, 6 this morning. 6:15 at school. I get in early to do my work in the morning. No, DB, I think it's so cool that you're seeing this, so I'm sure it's there. Your pointer finger was on her. Oh, was it here? I'm literally pointing at the person. All right guys, I'm going to revisit the lady tomorrow. I think it's amazing what you're seeing. It just shows how creative you are, your brains are, and your hearts are. Thank you guys so much for watching me tonight. I really appreciate you so, so, so much. Remember, you too— you and you— you too can sketch architecture one line at a time. Keep using your creativity for positivity. And this is Jason Nicholas Nicholas with the Inspired Life. I will— I'd like to come back real soon and be on live again. This was kind of fun. You guys are amazing. Appreciate y'all. Take care. Peace out.